Ferenc Farkas (1905–2000) was one of the longest-lived members of the wave of Hungarian nationalist composers which began with the rise of Béla Bartók and Zoltán Kodály. A student of Ottorino Respighi in Rome, Farkas blended Respighi’s Latin melodiousness with the Magyar folk-heritage that Bartók and Kodály had made the central element of Hungarian music. His Old Hungarian Dances of the 17th Century have become a staple of the wind-quintet repertoire; the other five works on this disk display the same irrepressible joie de vivre.
This twelfth release in the Toccata Classics exploration of the music of Ferenc Farkas (1905–2000) once again puts his chamber music with flute in the spotlight – here with an oboe chaser. As with previous albums in this series, the music highlights the characteristics that make Farkas’ music so appealing: catchy tunes, transparent textures, buoyant rhythms, a fondness for Baroque forms and a taste for the folk-music of his native Hungary that marks him out as a true successor to Bartók and Kodály. The works in this recording are almost all reworkings – by Farkas or the two soloists here – of music first written for different forces and now taking on a new lease of life.
Dances are among the valuable “raw materials” that composers of all epochs have incorporated into their works. Baroque suites are based on dance forms from various countries, classical symphonies usually contain a minuet or a dance movement, and in the nineteenth century, composers of emerging musical nations not only made use of folk songs, but also, and above all, of the dances of their native regions in order to form an independent language. With this album, harpist Sarah Christ shows that dance is as rich in moods as it is in forms: on her CD Un bal – named after the second movement of Hector Berlioz’s Symphonie fantastique – we hear the music of Johann Sebastian Bach, which moves wonderfully freely within the framework of strict baroque models; the melancholy elegance in Chopin’s and Debussy’s waltzes; the folklore and rusticity in the pieces of Ferenc Farkas and Manuel de Falla; and the melancholy of Astor Piazzolla’s tangos.
Celebrated for his innovative programming and award-winning recordings, Icelandic pianist Víkingur Ólafsson is offering a window into his musical life story with his new album, From Afar. The highly personal double album reflects Ólafsson’s musical DNA, from childhood memories growing up in Iceland to his international career and contemporary inspirations.