Fernando Lopes Graca Piano Sonatas Nos. 1 And 3, 3 Velhos Fandangos Portugueses (prats)

Limited Edition 80-CD set presenting Claudio Arrau’s complete Philips and American Decca recordings plus his live recording of Beethoven’s Piano Concerto No.4 with Leonard Bernstein (Amnesty International) on Deutsche Grammophon. Balancing invincible technical accuracy and virtuosity with rigorous intellectual and spiritual stimulation, Claudio Arrau played to probe, divine and to interpret the will of the composer, always faithful to the text. He viewed technique and virtuosity as inseparable from musical expression and constantly stressed the expressive, spiritual and creative power of virtuosity while downplaying its sensational aspect and suffusing every note with meaning.

Boris Giltburg has set out to learn and film all 32 piano sonatas by Beethoven by the end of 2020. The project started as a personal exploration, driven by curiosity and his strong love of the Beethoven sonatas, and the recordings presented in this initial volume display Giltburg’s customary spirit, technical finesse and convey the electric atmosphere of the live recording.

Boris Giltburg has set out to study and film all of Beethoven’s 32 piano sonatas by the end of 2020. The project started as a personal exploration, driven by curiosity and his strong love of the Beethoven sonatas. These performances display Giltburg’s customary spirit and technical finesse, and also convey the electric atmosphere of the live recording.

Nowadays there are a great many people who, upon encountering the name Rubinstein, would only think automatically of the Polish pianist, the late Artur Rubinstein. However, our subject (no relation) is the once world-renowned Russian composer and pianist Anton Grigoryevich Rubinstein who was born in Balta Podalia (Ukraine) on 28 November 1829. He died in Peterhof on 20 November 1894. In his lifetime, Anton Rubinstein was highly regarded as a pianist, as a conductor, as the first great Russian teacher whose methods and administration are still echoed in the modern Russian musical institutions, and as a prolific composer.

This album's program represents one phenomenal composer-pianist's homage to another. Marc-André Hamelin has long been a champion of the music of Samuil Feinberg. Hamelin's performances are sensitive to all it's shadows and anxieties while being fully equal to the prodigious technical demands.

Avie introduces the brilliant young Romanian pianist Alexandra Silocea who offers some of her signature repertoire on her debut recording, the first five Piano Sonatas of Prokofiev. Dubbed “Alexandra the Great” by Gramophone who announced her debut recording, the 26-year-old trained in Vienna and Paris, and is now resident in the UK. In 2003, while studying at Vienna University for Music and Performing Arts, she was awarded the Herbert von Karajan Scholarship, the latest in a string of prizes from competitions throughout Europe. Alexandra made her professional debut in 2008 with the Vienna Chamber Orchestra. Recital debuts followed in 2009 at the Musikverein in Vienna, Carnegie Hall’s Weill Recital Hall in New York, and le Salon de Musique in Paris.

Murray Perahia’s blend of gentle wit, intelligence, humanity and meticulous attention to detail make this disc a joy. Perahia takes the F minor Sonata, often mangled by students in their first Beethovenian attempts, as seriously as it deserves; whether in its finale’s whirlwind prestissimo or in No. 2’s chromatic upward shifts or the glittering double-thirds of No. 3’s opening, these interpretations are gripping, songful and very rewarding.