Music is often one of the most important parts of creating a fully formed viewing experience, the thing that makes or breaks a piece of storytelling. Whether or not you are familiar with him, Tree Adams has been the composer bringing you those sounds on many of your favorite television shows, from Californication to Sirens to Legends and The 100, which premieres its third season tonight on The CW…
When it comes to composers broadly categorized under the heading of minimalism, it's rare to find works grouped by genre in the conventional way. But the Attacca Quartet, a young group out of New York's Juilliard School, shows what can be done with this set of three pieces by John Adams, entirely different in tone but clearly the products of the same composer. The best-known work on the program, John's Book of Alleged Dances (1994), has been recorded several times.
11 is the eleventh studio album by Canadian singer-songwriter Bryan Adams. The album was released by Polydor Records on March 17, 2008. 11 was the first release of new Adams material since Colour Me Kubrick in 2005 and the first studio album in four years since Room Service. Similar to Adams' previous material, the themes in 11 are mainly based on love, romance, and relationships. 11 received generally mixed reviews from contemporary music critics.
In this new release Peter Oundjian and the Royal Scottish National Orchestra tackle two seminal works by the American composer John Adams. Harmonielehre, a symphony in all but name, is an expansive, richly expressive, and often breathtaking work. It takes its title from a 1911 text by Arnold Schoenberg on harmonic theory and evokes the lush soundworld of that composer’s early tonal period. Also heard throughout the score are echoes of Mahler, Wagner, Strauss, Sibelius, Debussy, Ravel, and Stravinsky. The piece also takes inspiration from some of Adams’s own strange and surreal dreams. The Doctor Atomic Symphony, based on Adams’s controversial opera Doctor Atomic, focuses on the character of the physicist J. Robert Oppenheimer as preparations are made for the first test of the atomic bomb.
I wonder what fans who expected a followup just as hard-rocking as Reckless thought of Into The Fire. There are some engaging rocking songs and Keith Scott is still on board, but without the power chops that made Reckless such a hit. This is a more mellowed work, with some sobering topics that probably wouldn't have most music buyers scrambling to get this album…