Filati Home From N 59, 2015

Sodi Braide - Schubert - 4 Impromptus op.90, Sonata D960 (2015) {Solstice}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 255 Mb | MP3 @320 -> 169 Mb
Full Artwork @ 300 dpi (png) -> 58 Mb | 5% repair rar
© 2015 Solstice | SOCD309
Classical / Romantic / Piano Solo

Le soliste témoigne d'un naturel et d'une simplicité qui ne subvertissent jamais le texte, ne perdant jamais de vue l'arc tendu de la tragédie derrière le sourire (Sonate, D.960). Soucieux de la narration, de la qualité de la palette sonore, du dosage du timbre (Impromptu n°3), il délivre une exécution très construite, aérée, respectueuse de la notion du temps schubertien. On subodore derrière la poésie et la tension dramatique toute la générosité et le don de soi qui rapprochent Sodi Braide de l'insondable errance du Wanderer avec une émotion pudique toujours relayée par une pulsation qui semble couler de source. Une telle conception soutient sans cesse l'intérêt et apporte assurément une pierre supplémentaire à la connaissance de l'interprétation des ultimes opus de Schubert.

Collector's box set from Anthem includes their seven studio albums, a rare live album "LAST ANTHEM," and a bonus CD with tracks not included in their original albums. Also includes a DVD with excerpts from "LAST ANTHEM" and interview with the members. Limited to 2000 copy.

Electric guitars, swinging rhythms, studded jeans and petticoats - rock'n'roll has not only completely changed the entire music world, it was also then and still is today a musical style and attitude to life in equal measure. With "Die Hit-Giganten - Best Of Rock'n'Roll", the well-known Sat-1 sampler therefore now dedicates itself to the legends of this genre, which found its origin in the America of the 1950s. They swing, they rock and "The Hit Giants - Best Of Rock'n'Roll" has them all: the stars and legends of Rock'n'Roll. This collection belongs in every well-assorted CD cabinet!

As the first compilation covering Eric Clapton's Reprise/Warner work since 2007's Complete Clapton, 2015's Forever Man is the third collection to focus specifically on these recordings from the '80s, '90s, and 2000s, and it's by far the most extensive, weighing in at two CDs in its basic edition and three in its deluxe. The difference between the two is the addition of a disc of "Blues," a nice addition to the "Studio" and "Live" discs of the collection. These themes make sense on paper but they're a little odd in practice, with the Studio selections hopscotching between eras and the live heavy on new millennial selections. Often, the length highlights how light Forever Man is on hits: "Tears in Heaven," "I've Got a Rock N Roll Heart," "Forever Man," "Change the World," "My Father's Eyes," "Pretending," "Bad Love," "It's in the Way That You Use It," and the unplugged "Layla" are all here, but the sequencing suggests how the '70s hits are missing (or present in new live versions)…

Gov't Mule - Dub Side Of The Mule (2015) [3CD+DVD] {Provogue Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.51 Gb | MP3 @320 -> 543 Mb
DVD5 -> 4.04 Gb | All Regions | NTSC 16:9 | Dolby AC3, 2 ch / Dolby AC3, 6 ch | ~ 73 m | ISO Image
Full Artwork @ 300 dpi (jpg) -> 48 Mb | 5% repair rar
© 2015 Provogue / Gov't Mule / Mascot Music | PRD 7448 5
Rock / Jam Band / Blues Rock / Reggae / Southern Rock

The Gov't Mule live archival series, which began in 2014 with Dark Side of the Mule and continued with Sco-Mule, continues with this document from the band's 2006 New Year's Eve Beacon Theater show. This is the "standard version" (among several) of Dub Side of the Mule from the middle of a three-set evening. It's the reggae set with the legendary Toots Hibbert fronting the band on all but the last track. He is in excellent voice throughout, living up to his reputation as one of the greatest reggae singers of all time. For this evening, Gov't Mule comprised original members Warren Haynes on guitars and vocals and Matt Abts on drums, with Danny Louis on keyboards, Andy Hess on bass, and percussionist Sean Pelton.

B.B. King - Complete Recordings 1949-1962; 6 CDs, 168 tracks, over 8 hours of music B.B. King, known as The King of the Blues, and indeed one of the Three Kings of Blues Guitar (along with namesakes Albert and Freddie) was amongst the finest guitarists and vocalists to ever grace the genre. He has featured in Rolling Stones 100 and Gibsons 50 Greatest Guitarists of All Time, reaching 6 and 17 respectively. Across the six discs comprising this boxed set lie the foundations of one of the most enduring legacies in all of the blues. Featuring more than 160 cuts and over eight hours of music, this compilation will surely remain the ultimate collection of B.B. Kings output a catalogue which most blues fans regard as home to some of the finest music ever released.

Them were one of the very best R&B acts to come out of the U.K. during the British Invasion era, as tight, wiry, and potent as their contemporaries the Rolling Stones, the Animals, and the Pretty Things. But as good as they were, their greatest strength was always their lead singer and main songwriter, Van Morrison, who even in his earliest days boasted a style that was raw and unapologetic but full of street smarts and imagination…

Diana Krall paid tribute to her father on Glad Rag Doll, the 2012 album sourced from his collection of 78-rpm records, and, in a sense, its 2015 successor Wallflower is a companion record of sorts, finding the singer revisiting songs from her childhood. Like many kids of the 20th century, she grew up listening to the radio, which meant she was weaned on the soft rock superhits of the '70s – songs that earned sniffy condescension at the time but nevertheless have turned into modern standards due to their continual presence in pop culture (and arguably were treated that way at the time, seeing cover after cover by middlebrow pop singers).

Celebrating the 60th anniversary of Glenn Gould’s legendary Goldberg Variations.
Glenn Gould Remastered – The Complete Album Collection refurbishes Gould’s complete approved studio recordings using state-of-the-art Direct Stream Digital (DSD) transfer and 24 bit/96 kHz mastering technology in a 81 CDs limited edition. The 416 page book includes complete original liner notes (many penned by Gould himself), a wealth of facsimile documents, rare photographs, full discographical information, and a newly commissioned introductory essay by Gould scholar and biographer Kevin Bazzana.