Finding The Right Notes

This special PBS soundtrack includes live recordings filmed at the Newport Jazz Festival for Ron's classic piece SOFT WINDS; a surprise bass duet session at The National Jazz Museum in Harlem with the enigmatic Christian McBride on WILLOW WEEP FOR ME; a session at the Blue Note with guitarist Bill Frisell on MY MAN'S GONE NOW; the first live performance of the two great bassists, Stanley Clarke and Ron playing BAG'S GROOVE, also at the Blue Note; and a joyful version of SWEET LORRAINE featuring Jon Batiste, released here for the first time.

In his recording of Bach's 48 Colin Tilney, unlike his fellow competitors in the same repertory, plays both a clavichord (Book 1) and a harpsichord (Book 2). Why not? Bach's title for the first book of 24 preludes and fugues, The Well-tempered Clavier leaves both this issue and that of tuning wide open. The clavichord was a favourite instrument of Bach's, so was the harpsichord and the organ; indeed, I am sorry that Tilney does not include a chamber organ since some of the pieces, the E major Prelude and Fugue (Book 2), for instance, seem well-suited to it. Tilney's performance of the 48 differs again from almost if not all others in the sequence which he adopts in playing the preludes and fugues. But an apparently random approach is in fact nothing of the kind, but one that is directly linked with tuning. We know that Bach himself was a master in matters of tuning as he was in all other aspects of his craft. What we do not know is the exact nature of his tuning.

Robert Randolph, the virtuoso pedal steel guitarist whose distinctive mix of rock, funk and rhythm & blues has built a fervent, international audience releases his highly anticipated new studio album, Lickety Split, on Blue Note Records. His first studio album since 2010 s We Walk This Road, Lickety Split is produced by Randolph and showcases his Family Band, the powerhouse ensemble that has backed him throughout his career. The Family Band is comprised of actual family members Marcus Randolph, Danyel Morgan, Lenesha Randolph together with guitarist Brett Haas. This album features special guest appearances from Trombone Shorty and Carlos Santana and signifies a return to the joyful, high energy music that has become Randolph's trademark. The album was engineered by the legendary Eddie Kramer (Jimi Hendrix, Led Zeppelin) and mixed by Jim Scott (Tedeschi,Trucks).

The past decade has seen the birth and evolution of so many progressive rock bands that it can be more than a little challenging to keep track of them all. And let’s face it, at this stage in the game it isn’t easy to come up with a band name that hasn’t been taken already. But occasionally a name is able to strike a blend of originality and absurdity such that it also sticks in one’s head and stands out from the rest…