Finds Khotin

For this Christmas jazz album, Harry Connick, Jr. emphasizes his vocals (his piano playing is quite secondary) as he sings ten familiar Christmas songs plus four of his originals while joined by a big band, a string section, and background singers.
It is among the most popular holiday collections of the past two decades in the United States. The album proved to be the best-selling holiday album in the U.S. of 1993.

Throughout a chequered career Arthur Brown has never been one to play by the rules and when the chart topping The Crazy World Of Arthur Brown split nobody knew what the band’s namesake would do next. When he resurfaced several years later it was with the proto-prog, avant-garde Kingdom Come, a band so way out that time is only just catching up. Eternal Messenger: An Anthology 1970-1973 collects the band’s three albums along with a rare jam session and a disc of radio sessions to make the perfect introduction to Arthur Brown’s crazy world…

There are two kinds of Zephyr fans; those who think the band died when Tommy Bolin left, and those who know it didn't. Zephyr's second and final Warner Bros. album (and third album overall) featured Boulder, Colorado guitar slinger Jock Bartley in place of Bolin, the replacement of Bobby Berge and John Faris, and one of the few known recorded appearances of Bobby Notkoff, other than his work with Neil Young, for whom he created the heart-wrenching violin break on "Running Dry." Without Bolin, the band took a decided turn toward jazz. This is a stunning album, featuring unknown classics like "Moving Too Fast," "Chasing Clouds," and "Winter Always Finds Me." Lead singer Candy Givens died in 1984, and this album is perhaps her most passionate legacy.

In collaboration with Litto Enterprises Inc., Music Box Records is very proud to present one of its most ambitious releases yet - a classic Bernard Herrmann score from one of his last efforts and an important milestone in his immense career for Brian De Palma´s classic melodrama Obsession (1976) written by Paul Schrader and starring Geneviève Bujold, Cliff Robertson and John Lithgow. In a career often spent paying tribute to Alfred Hitchcock with the likes of Dressed to Kill, Blow Out and Body Double, Obsession even today stands as De Palma’s ultimate fever dream homage to the director who’d made Bernard Herrmann a household name as the romantic master of musical suspense during an eight film collaboration, no more so than with 1958s Vertigo. Yet Obsession’s reincarnation of that masterpiece showed just how devious De Palma always was in his admiration, cloaking a truly seditious plot twist that would’ve given even Hitchcock pause within sleek, star-filtered visuals. Obsession remains his most fervently romantic, and dare one say innocent attempt to recreate the studio gloss of a time when outright violence and sex were left to the mind’s eye, its rage and sensuality truly made explicit in its music. It’s a powerful, stylistic subtlety that increasingly made Obsession into the filmmaker’s most discerning cult film.

First-ever complete anthology of Australia’s finest pop practitioners of the 1960s.