Roel Dieltiens is a Baroque cellist par excellence and the modest size of Ensemble Explorations (seven players including continuo) suits these works admirably. Vivaldi poured some of his finest music into his numerous concertos for bassoon and cello‚ both dualregister instruments for which he had obvious affection – to which the affecting slow movements richly testify. Dieltiens’ superb bow control and his natural empathy with style and emotional aura make these memorable musical experiences.
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.
This album is one of several available collections focusing on the type of jazz that was created right under the noses of the Nazis during the second World War. Swing Tanzen Verboten! Swing in Belgium and France is a lengthy Proper Box collection that covers much of the same ground, although in much more detail. The subject is more than just engaging on several different levels. Purely musically speaking, there are many good things to be found in the sounds of groups such as the Orchestre Musette and Eddie Barclay, although listeners without the ears for the vintage years will no doubt toss around words such as "quaint" and "dated"…
There is always poetry as well as virtuosity coursing through Enrico Gatti’s violin playing, and nowhere more so than when he turns to Italian early Baroque music, as here in Mille consigli with his Ensemble Aurora: the album title reflecting the multiplicity of emotional ideas and colours possible in violin music from this time (Gatti’s earlier recordings of similar music have recently been re-released by Glossa as L’arte del violino in Italia).
La fille du régiment (The Daughter of the Regiment) is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse.
Following in the tradition of In Full Cry, this version of Joe and Mat Maneri's ensemble that also includes bassist Barre Phillips, Matthew Shipp on piano, drummer Randy Peterson, and Roy Campbell on trumpet is perhaps the most potent yet. A fully involved series of improvisations, Going to Church is a near-suite in three parts. Joe Maneri's conceptual microtonalism is at the root of all of these pieces, where notions of front lines and rhythm sections blur into one another as time itself is stretched beyond recognition. The addition of a second horn player and Shipp on piano is welcome in that with the increased chromatic range, the timbral extensions that are integral to the Maneris' music become almost infinite.