Five Thousand Dollars on One Ace (1965)

Although often overshadowed by the Los Angeles and New York folk-rock scenes, San Francisco also contributed several notable bands. Among them are We Five, featuring Mike Stewart (vocals/guitar/banjo) - brother of Kingston Trio member John Stewart - Peter Fullerton (vocals/bass), Beverly Bivens (vocals), Bob Jones (guitar/vocals), and Jerry Bergan (guitar/vocals). The quintet was among the first Bay Area groups to have chart success merging acoustic-based folk music with electric instrumentation. This single CD, from mail-order archivists Collector's Choice Music, contains the quintet's first two long-players: You Were on My Mind and Make Someone Happy. Both titles are similar in style and content, charting the linear progression of pop music and its fusion with folk, rock & roll, and post-bop jazz…

Herman's Hermits four UK albums for EMI's Columbia label, dating between 1965 and 1968. All albums were produced by Mickie Most and feature UK and US hits such as 'I'm Henry The Eighth I Am', Mrs Brown You've Got A Lovely Daughter', 'Listen People', 'No Milk Today', 'There's A Kind Of Hush', 'Dandy' and 'You Won't Be Leaving' Digitally remastered and slipcased. New notes.
Herman's Hermits were one of those odd 1960s groups who accumulated millions of fans, but precious little respect. Indeed, their status is remarkably similar to that of the Monkees, and it's not a coincidence that both groups' music was intended to appeal to younger teenagers. The difference is that as early as 1976, the Monkees began to be considered cool by people who really knew music…

Herman's Hermits four UK albums for EMI's Columbia label, dating between 1965 and 1968. All albums were produced by Mickie Most and feature UK and US hits such as 'I'm Henry The Eighth I Am', Mrs Brown You've Got A Lovely Daughter', 'Listen People', 'No Milk Today', 'There's A Kind Of Hush', 'Dandy' and 'You Won't Be Leaving' Digitally remastered and slipcased. New notes.
Herman's Hermits were one of those odd 1960s groups who accumulated millions of fans, but precious little respect. Indeed, their status is remarkably similar to that of the Monkees, and it's not a coincidence that both groups' music was intended to appeal to younger teenagers. The difference is that as early as 1976, the Monkees began to be considered cool by people who really knew music…

Barney Kessel - On Fire +5 (1965) {Emerald-Interplay Japan XQAM-1639 Mini LP DSD rel 2015}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 257 Mb | MP3 @320 -> 121 Mb
Full Artwork @ 600 dpi (jpg) -> 85 Mb | 5% repair rar
© 1962, 1965, 2015 Emerald / Interplay / SSJ Japan | XQAM-1639 | Mini LP | DSD mastering
Jazz / Bop / Hard Bop / Guitar

Cardboard sleeve reissue with DSD mastering. Five bonus tracks. Rare and groovy work by Barney Kessel – originally recorded for a strange subsidiary of Phil Spector's record label! The album's quite different than some of Kessel's other albums of the earlier years – recorded live with a gritty feel that's really nice – a bit more edge on the strings of the guitar, and a rumbling tone that's a far cry from his lighter work for Contemporary in the 50s. Kessel still retains much of his ability to produce a bell-like tone on the guitar – but he rings out with a tremendous amount of force – spurred on by the crackling club rhythm section of Jerry Scheff on bass and Frank Capp on drums. Titles include 2 great originals – "Slow Burn" and "Sweet Baby" – plus an excellent version of "Recado Bossa Nova", and the tunes "The Shadow Of Your Smile", "Just In Time", and "One Mint Julep". CD features five bonus tracks – including 'Fly Me To The Moon", "The Gypsy In My Soul", and "April In Paris".

In 1998, BGO released Del Shannon Sings Hank Williams/One Thousand Six-Hundred Sixty-One Seconds of Del Shannon, combining his last two albums for the Amy label on one CD. The two are rather different records conceptually; one devoted to the work of a single composer, while the other shows Shannon covering many of the hits of the day in its own style, as well as presenting his version of an original - "I Go to Pieces," which was a hit in the hands of Peter & Gordon - is linked to Shannon's version by some of the backing musicians he uses, as well as the chronology, and the CD also constitutes a pretty strong display of Shannon's range as a performer and recording artist, encompassing everyone from Hank Williams to the Four Seasons with astonishing consistency.