Flashboot 3.2u

In 1957, drummer Walter Perkins formed a quintet, the MJT + 3, that recorded four albums before breaking up in 1962. Walter Perkins was a longtime fixture in the Chicago jazz scene. He gained some recognition for playing with the Ahmad Jamal Trio during 1956-1957 (right before Jamal really caught on). A 1957 set for Argo led by Perkins (and also featuring trumpeter Paul Serrano, tenor saxophonist Nicky Hill, the young pianist Richard Abrams, and bassist Bob Cranshaw) used the name of MJT Plus 3. The better-known version of the band (with trumpeter Willie Thomas, altoist Frank Strozier, pianist Harold Mabern, and bassist Bob Cranshaw) recorded three albums for Vee-Jay during 1959-1960 and was popular for a time locally before breaking up in 1962.

Formula 3 (also spelled as Formula Tre) is an Italian prog-rock band, mainly successful in the early seventies. The group formed in 1969; produced by Lucio Battisti, they were the group that accompanied Battisti in his rare live concerts, and was originally made ​​up of Alberto Radius (guitars and vocals), Tony Cicco (drums and vocals) and Gabriele Lorenzi (keyboards). Their first hit was the song "Questo folle sentimento", which ranked fifth at the Italian hit parade in 1970, and which was followed by a series of top 20 hits, notably "Io ritorno solo" (third at the Italian hit parade) and "Eppur mi son scordato di te" (second at the Italian hit parade), all composed by the same Battisti.

Spacemen 3’s 1987 album The Perfect Prescription is considered the band’s transition point from psychedelic re-creationists to an original act. But it’s also seen as the moment when founding members Pete Kember and Jason Pierce began to branch off in their own directions—the beginnings of Pierce’s band Spiritualized can be heard in “Walking with Jesus.” Released 16 years later, Forged Prescriptions gathers outtakes, alternative mixes, demos, and rarities from the 1987 recording sessions. “Things Will Never Be the Same” opens with Kember’s vocals sounding more angsty and prominent in the mix. Fans of The Brian Jonestown Massacre can identify the seeds of Anton Newcomb’s inspiration in this song.

Disc 1 recorded on April 1 and 2, 1994 at Onkio Haus, Tokyo. Disc 2 to 4 recorded on March 29, 1994 at Pit-Inn, Tokyo.