Flow International January 01, 2019

"It is very rare to hear string players relishing the groove quite so joyously. BartolomeyBittmann embody the musical virtues of unbridled playfulness and rhythmic radicalism, and they deploy them with an ease that is not normally associated with classical instruments." (Wolfgang Muthspiel)

Guiding the undulating, polyrhythmic, genre-ambiguous flow of drummer Makaya McCraven's ever-evolving "organic beat music," is a strategy not far removed from the one employed by Teo Macero and Miles Davis on Bitches Brew and subsequent dates: Here, moments from continuous improvised performances are digitally looped, cut, spliced, and edited into entirely new compositions. McCraven has been developing the approach for some time, though it came to fruition on 2015's brilliant In the Moment, culled from nearly 48 hours of live improvised performance at a single venue over a year, then processed and remixed into 19 individual pieces. McCraven takes a leap further out on the double-length Universal Beings. The set was recorded in four cities (New York, Chicago, London, and Los Angeles) with four ensembles. The players on these include bassist and fellow Chicagoan Junius Paul, cellist and former Chicagoan Tomeka Reid, U.K.-based saxophonists Nubya Garcia and Shabaka Hutchings, L.A. violist/arranger Miguel Atwood-Ferguson, percussionist Carlos Nino, and Chicago ex-pat and current Angeleno guitarist Jeff Parker, to name a few.

Britain’s hottest gunslinger. Blues-rock’s most legendary producer. If the hook-up between Laurence Jones and Mike Vernon sounds mouthwatering on paper, just wait until you hear Take Me High. Released in August 2016 on Ruf Records, this fourth album represents a spiritual passing of the baton, with the producer who recorded everyone from Eric Clapton to Peter Green in the ’60s now working with the cream of the new blues generation. “It was a great feeling,” says Laurence, “to know Mike wanted to make this record.” The pair had discussed a collaboration as far back as 2013, but their conflicting schedules had always scuppered the plan.

Enya is the debut studio album by Irish singer, songwriter, and musician Enya, released in March 1987 by BBC Records in the United Kingdom and by Atlantic Records in the United States. It was renamed as The Celts for the 1992 international re-release of the album by WEA Records in Europe and by Reprise Records in the United States. The album is a selection of music she recorded for the soundtrack to the BBC television series The Celts, aired in 1987. Four years into her largely unnoticed solo career, Enya landed her first major project in 1985 when producer Tony McAuley asked her to contribute a song to the soundtrack.