Flugzeug From 1996 06

Always one of the most tasteful of musicians, guitarist Kenny Burrell is in fine form on this set from 1996. He is joined by a rhythm section led by pianist Sir Roland Hanna, trumpeter Jimmy Owens (who is in excellent form), either Steve Turre or Benny Powell on trombone and the underrated tenor-saxophonist and flutist Jerome Richardson. Burrell sings a heartfelt "Dear Ella" (his voice is just average) and there is a vocal apiece by Jeannie Bryson (a sensuous "I've Got A Crush On You") and Vanessa Rubin ("All Blues"). Other highlights of this relaxed bop set include Scott Joplin's "The Entertainer," Richardson's "Groove Merchant" and a medley of "Embraceable You" and Charlie Parker's "Quasimodo."

Always one of the most tasteful of musicians, guitarist Kenny Burrell is in fine form on this set from 1996. He is joined by a rhythm section led by pianist Sir Roland Hanna, trumpeter Jimmy Owens (who is in excellent form), either Steve Turre or Benny Powell on trombone and the underrated tenor-saxophonist and flutist Jerome Richardson. Burrell sings a heartfelt "Dear Ella" (his voice is just average) and there is a vocal apiece by Jeannie Bryson (a sensuous "I've Got A Crush On You") and Vanessa Rubin ("All Blues"). Other highlights of this relaxed bop set include Scott Joplin's "The Entertainer," Richardson's "Groove Merchant" and a medley of "Embraceable You" and Charlie Parker's "Quasimodo."

After looking at the cover of Gillian Welch's debut album, Revival, and listening to the first two cuts, "Orphan Girl" and "Annabelle," you'd be tempted to imagine that Welch somehow stumbled into a time machine after cutting some tunes at the 1927 Bristol, TN, sessions and was transported to a recording studio in Los Angeles in 1996, where T-Bone Burnett was on hand and had the presence of mind to roll tape.

After looking at the cover of Gillian Welch's debut album, Revival, and listening to the first two cuts, "Orphan Girl" and "Annabelle," you'd be tempted to imagine that Welch somehow stumbled into a time machine after cutting some tunes at the 1927 Bristol, TN, sessions and was transported to a recording studio in Los Angeles in 1996, where T-Bone Burnett was on hand and had the presence of mind to roll tape.