Focus 25 April 2020

On 20 July 1969, Neil Armstrong and Edwin “Buzz” Aldrin left the Columbia command module, and just under three hours later became the first people to land on the moon. Michael Collins stayed on board Columbia and spent the next day alone orbiting the moon, waiting for his colleagues to return, losing visual and radio contact with the earth for 46:38 minutes of each orbit. One report of the time claimed that “not since Adam has any human known such solitude”, but when Collins was asked about that, he explained that his solo orbit of the moon, despite the fact of being alone, was characterized by the following states of mind: “awareness, anticipation, satisfaction, confidence, almost exultation.”

Human Design is the sixth studio album by Australian alternative rock band Birds of Tokyo. It was announced on 28 February 2020, and was released on 24 April 2020. Human Design debuted at number 1 on the ARIA Charts' becoming the band's second chart-topping after March Fires achieved the same feat in 2013.

Experimental musician Claire Rousay and visual artist Dani Toral have been in each others’ orbit since young adulthood in San Antonio, but it took a decade for them to find A Softer Focus. Before Rousay had put her compositional gray matter to task for the album’s music, she knew she wanted to work with Toral- being familiar with her past work centering her Mexican heritage. Toral’s vibrant color palette and reinterpretations of comfort in oneself and the natural, vegetative world connected easily with her explorations in communication and intimacy. Historically, Rousay primarily operated in non-melodic experimental music, sculpting compositions from obsessive field recordings, inserting voice-to-text, percussion played via text message sounds, conversations, and daily life. By contrast, the six-song collection and collaborative project A Softer Focus is lush and almost entirely melodic, even veering into pop at a couple points…

When David Bowie and Iggy Pop escaped LA to go Interrailing in the mid-70s, they heard a new European music that was largely devoid of Anglo-American rock influence: the German motorik sound, flashes of jazz, experimentation and electronica. In West Berlin, one of their favourite haunts was Kreuzberg’s Cafe Exil, a smoky hang-out for beats and intellectuals. This is its imaginary soundtrack.