Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents…
German synthpop band Alphaville‘s 1984 debut album Forever Young will be reissued as a five-disc super deluxe edition in March, for its 35th anniversary.
Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal…
Alphaville is a German synth-pop band centered around vocalist Marian Gold (Hartwig Schierbaum), formed in 1982 in Münster. Started out as a trio with Gold backed by synth players Bernhard Lloyd and Frank Mertens…
Alphaville has always embraced technology and used it to produce music to show the coldness of the world. For this release, their cold, distant, sometimes frightening music has been remixed to fit into the sound and the vibes of 2001/2002…
Japanese original release of "Side Tracks," which was originally released as bonus CDs for "The Complete Album Collection Vol.1." Features cardboard sleeve artwork faithfully replicating the LP which was released for "record store day." Also features the high-fidelity Blu-spec CD2 format (compatible with standard CD player). Uses the latest remastering which was used for "The Complete Album Collection." The liner notes include new Japanese translations of lyrics. Released on the Black Friday edition in 2013 Record Store Day brouhaha, Bob Dylan’s Side Tracks is a 30-track journey into the deeper cuts of the legendary musician’s catalogue. In essence – It stands as an alternate history, a left-of-center greatest hits collection from an artist whose best songs sometimes are the stray cats and orphans left as B-sides or recording room scraps. Most everything here has appeared elsewhere on compilations like the incomparable Biograph, but by stripping the record of Dylan’s well-known songs, it provides a deeper look into his metamorphosis from nasally folk artist to his current status as a gravel-voiced elder statesman.