Forsaken Realms Katalina Leon

For the first time Matthias Weckmann's complete organ works have now been recorded on instruments from the early 17th century and thus on truly appropriate organs. The choice of the Stellwagen organ in the Jakobikirche in Lübeck and the Scherer organ in the Stephanuskirche in Tangermünde make this recording a real highlight - of course as Super Audio CDs in stereo and surround sound…

Leon Russell was one of the most esteemed studio session men in rock history, having appeared on an eye-popping number of records by legends such as Jerry Lee Lewis, Bobby Darin, Phil Spector, Frank Sinatra, the Byrds, and the Beach Boys. Russell's solo work benefited from his amazing collaborators, as the likes of George Harrison, Eric Clapton, Willie Nelson, various Rolling Stones and others helped Russell put the finishing touches on his albums through the years. The 'master of space & time,' Russell blended together Southern soul, gospel, country, rock and piano-man singer/songwriter stylings."A Song For Leon" celebrates Leon's life and career, consisting of iconic acts such as Pixies, Orville Peck, Nathaniel Rateliff & the Night Sweats, U.S. Girls featuring Bootsy Collins and other incredible artists. Showcasing the impact of Leon Russell's songs, "A Song For Leon" is meant to educate experienced Leon Russell fans by highlighting other versions of his music, but also bring new fans into the fold by highlighting how many of today's rising musicians have taken inspiration from him.

Limited edition double CD featuring the album 'Can We Please Have Fun' and a second CD with 7 live recordings from the band's sold out gigs at Wrexham AFC's football ground 'The Racecourse'.

Limited edition double CD featuring the album 'Can We Please Have Fun' and a second CD with 7 live recordings from the band's sold out gigs at Wrexham AFC's football ground 'The Racecourse'.

Francisco Guerrero is still insufciently well known by comparison to his great contemporary and compatriot Victoria. El León de Oro here afrms his rightful place in the history of the Golden Age of Spanish polyphony.

Very little is known about the life of Anthoni van Noordt. Following in the tradition of Jan Piertszoon Sweelinck, he was organist at the Nieuwe Kerk in Amsterdam from 1664. After the death of Dirck Sweelinck in 1652, the van Noordt family became Amsterdam's most important musical family. The van Hagerbeer organ in the Pieterskerk in Leiden, a large 17th-century Dutch city organ with a wide variety of stops, is particularly well suited for the performance of van Noordt's music. The organ still has many of the characteristics of a traditional Renaissance organ, but the earlier preference for strongly contrasting timbres has given way to greater homogeneity, generally tending towards a somewhat darker sound. Also new is the striving for solemnity and weight, expressed above all in the disposition of a 24' in the Hauptwerk and a Trompete 16' in the Pedal

San Fransisco late 1960, two of the biggest groups to emerge from this scene were Santana and Sly and The Family Stone. For a while they were two of the biggest acts in the US and scores of local bands tried to follow in their footsteps. They were hard acts to follow and very few got to the stage of making a 45, never mind a whole LP.

Gold-Diggers Sound is the new album from Leon Bridges. This R&B collection is birthed from extended late nights at the Los Angeles, California studio of the same name. The album celebrates Leon’s immersive experience of creating music in the same East Hollywood room where he lived, worked, and drank over the course of two years. The soulful collaboration between Leon as an artist and the space itself was so encompassing that he chose to name the album after the soon-to-be legendary complex.

There is such joy and power to the music heard on this CD that it is difficult to believe that Big Leon Brooks passed away before the record was released. This is a reissue of an LP from the B.O.B. label and it features Brooks at his best. One of the top blues harmonica players based in Chicago in the '50s, Brooks had drug problems and quit the music business altogether in 1957. Nineteen years later quite by accident he returned to playing blues and he was busy for a few years before heart problems caused him to scale back before his death. On Let's Go to Town his gruff vocals are effective and the backup musicians (which are usually guitarist Louis Myers, bassist Bob Stroger and drummer Odie Payne, Jr.) are perfect for this mixture of blues and jump tunes, and the set has plenty of variety in the blues idiom. This is a perfect last testament for Big Leon Brooks, a great if underrated bluesman.