Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon; not coincidentally, it also marked the point where all of the elements of the music (and more) that would define their success for more than a decade fell into place fully formed…
As the double-disc The Fragile unfurls, all of Nine Inch Nails' trademarks – gargantuan, processed guitars, ominous electro rhythms, near-ambient keyboards, Trent Reznor's shredded vocals and tortured words – are unveiled, all sounding pretty much how they did on The Downward Spiral. Upon closer inspection, there are new frills, yet these aren't apparent without digging – and what's on the surface isn't necessarily inviting, either…
Fragile are a long running fusion band from Japan, and Phantom is my first encounter with the group, a mere decade after its initial release. Fragile are from the modern school of Japanese fusion, where the technical ability is astounding, and the compositions are strictly a foundation to support that. Rather than the other way around, which would be my preference. It's a tough genre to break new ground, as many before them have tread similar paths with varying results. So it was with much surprise that the opening two tracks caught my attention. Indeed this is inventive fusion, and as expected, the playing is exemplary, in particular the guitarist. However, as the disc continues on, ear fatigue begins to set in.