François Allot

Three 20th-century orchestral scores, Bartók’s Two Pictures, Debussy’s Jeux and Stravinsky’s The Rite of Spring, all dating from 1910-13 and all linked (as the detailed CD booklet explains), are brought to life in the hands of two exceptional French pianists. The central interest is the ballet Jeux. One of the world’s outstanding Debussy interpreters, Jean-Efflam Bavouzet has added to his complete Chandos recordings with his own transcription for two pianos. Written late in Debussy’s life for Nijinsky, Jeux involves an emotionally erotic and harmonically daring game of tennis. Bavouzet and his well-matched partner, François-Fréderic Guy, play with nimble grace, capturing the works wit and mystery. This gripping album is dedicated to Pierre Boulez, guru and enabler, for his 90th birthday.

‘Samson de la nuit’ was the affectionate epithet given to this pianist who seemed never to sleep and who was almost as famous for spending his early morning hours in Parisian jazz clubs as he was for playing Ravel’s Gaspard de la nuit. Like the Biblical Samson, Samson François wore his hair long – it often hung in front of his eyes as he played – and like the character Scarbo in Gaspard, he could be mischievous and evasive. A man of contrasts, he was in many ways the epitome of what one thought a romantic pianist should be – confident, dashing, poetic, moody, passionate, tender and temperamental. Today, more than 40 years after his premature death, a new generation of listeners has come to appreciate the qualities that made him one of the great pianists of the 20th century.

L'influence de Francois Couperin sur ses contemporains et ses successeurs de l'école francaise de clavecin voire même à travers l'europe, tel est le programme éminement didactique de Davitt Moroney dans son pur style des années 1990, celui des émissions qu'il animait sur France Musiques.

François Jeanneau is a French jazz saxophonist, flautist, and composer. Jeanneau studied flute under René Leroy at the Paris Conservatory, but was an autodidact on saxophone. He began playing professionally in 1960 at the Club Saint Germain, then worked in the big band of Jef Gilson and in a sextet with François Tusques. In the late 1960s and early 1970s he was a member of the band Triangle (fr). He won the Prix Django Reinhardt in 1980 and was the first leader of the Orchestre National de Jazz in 1986.

First performed at Versailles in 1745, the opera ballet Zélindor is a delightful rococo pastorale which found favour with Louis XV’s mistress, Madame de Pompadour, no doubt because its story about a king who loves a commoner reflected her own situation. Opera Lafayette’s 2007 revival was hailed as “brilliant” by The Washington Post, which praised the soloists, headed by Jean-Paul Fouchécourt, and chamber chorus who “sang with a gusto matched by the orchestra’s rhythmic pungency”. This is the work’s world première recording with full orchestra and chorus.