The Black Noodle Project is a French band that has actually been around for some time, releasing their demo in 2003. There used to be more members, or maybe they just sort of come and go as the winds of life steer them. I’m not sure. Right now, there are two members: Sébastien Bourdeix on guitars, keyboards, bass, and vocals; and Tommy Rizzitelli on drums. For this record, vocalist Sab Elvenia of the band The Fundamental Wisdom of Chaos guests on three tracks. I should say that, if you haven’t already, you should check out Sab’s band—they are quite unique.
The Black Crowes' debut album, Shake Your Money Maker, may borrow heavily from the bluesy hard rock grooves of the Rolling Stones and Faces (plus a bit of classic soul), but the band gets away with it due to sharp songwriting and an ear for strong riffs and chorus melodies, not to mention the gritty, muscular rhythm guitar of Rich Robinson and brother Chris' appropriate vocal swagger. Unlike their later records, the Crowes don't really stretch out and jam that much on Money Maker, but that helps distill their virtues into a handful of memorable singles ("Jealous Again," "She Talks to Angels," a cover of Otis Redding's "Hard to Handle"), and most of the album tracks maintain an equally high standard. Shake Your Money Maker may not be stunningly original, but it doesn't need to be; it's the most concise demonstration of the fact that the Black Crowes are a great, classic rock & roll band.
One of the most amazing comeback stories of the modern blues era was ignited by this astonishing album. Robert Ward hadn't recorded as a leader in close to a quarter century, but his melismatic, almost mystical vocal quality and quirky, vibrato-enriched guitar sound utterly vital and electrifying as he revives some of his own obscure oldies ("Your Love Is Amazing," "Forgive Me Darling," "Strictly Reserved for You") and debuts a few new compositions for good measure. One of the classic blues/soul albums of the '90s.
It’s country music but not as we know it which begs the question: Have these Bad Kids of 21st Century rock ’n’ roll finally grown up on their ninth studio album? Are they at peace with themselves? Have they made a record their parents could listen to? The Black Lips new album Sing In A World That’s Falling Apart continues to flick the middle finger to one and all. This ain’t another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren’t the usual clichés about drinking, honkytonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre by not sounding or dressing their musical predecessors.
The Black Crowes are leaving the bullshit in the past. 15 years after their last album of original music, the Robinson Brothers present Happiness Bastards - their 10th studio album. Some may say the project has been several tumultuous years in the making, but we argue it's arriving at just the right time. Call it brotherly love or music destiny that brought them back together, the highly anticipated record consecrating the reunion of this legendary band just may be the thing that saves rock & roll. In a time where the art form is buried beneath the corporate sheen of its successors, The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrifed by guitar strings, revealing stripped, bare-boned rock & roll. No gloss, no glitter, just rhythm and blues at it's very best - gritty, loud, and in your face.