Que faire face à sa fille ou son fils de trois ans qui décide de ses heures de repas et de coucher ? Comment gérer l'enfant qui n'écoute jamais en classe, répond aux enseignants et refuse systématiquement de ranger sa chambre ? Et l'adolescent qui n'adresse plus la parole à ses parents ou exige telle ou telle marque de vêtements ? Faut-il recourir à l'autorité et de quelle façon ? Comment élever un enfant pour qu'il s'épanouisse tout en apprenant à respecter les autres ? …
After her sensational performance at last night’s BAFTAs, inspiring young classical saxophonist Jess Gillam announces the release of her debut album ‘Rise’ on 26th April on Decca Classics. It is a collection of pieces which showcase her phenomenal talent and diverse musical taste, ranging from Marcello and Shostakovich to David Bowie and Kate Bush.
The Ninth Gate, Roman Polanski's supernatural thriller about a book that can summon the devil, features an appropriately tense and eerie score by Wojciech Kilar, who also composed the award-winning music for Bram Stoker's Dracula. Sumi Jo's ethereal, operatic vocals grace "The Theme From The Ninth Gate," and the City of Prague Philharmonic and Chorus lend a brooding, Old World feel to pieces like "Corso" and "Bernie Is Dead." Piano and strings contribute to the ghostly, romantic aura of "Liana," while "Plane to Spain," "Chateau Saint Martin," and "The Motorbike" add to the score's continental atmosphere. Suspenseful in its own right, Kilar's music for The Ninth Gate reaffirms his skill as a film composer.