Franco D'andrea Traditions And Clusters (2012) [2cds] {el Gallo Rojo}

God Fried Finger is the 2010 album by Blonde Zeros, a band known for its eclectic and experimental sound that blends elements of punk, indie rock, and noise rock. The album features raw, energetic performances and often carries an aggressive tone, with distorted guitars, catchy but chaotic rhythms, and a sense of rebellion. Blonde Zeros' music has been described as gritty and unpredictable, a hallmark of the underground rock scene during the late 2000s and early 2010s. Their sound reflects the kind of experimental edge that was present in various alternative and indie scenes during that time.

Admired by Schoenberg (who described him as ‘one of the most underestimated of modern composers’), Joseph Achron was a boundary defying violinist-composer of extraordinary gifts. He drew on his Jewish faith to profound effect, from the early influence of his cantor father to his enthusiastic championing of the Society for Jewish Folk Music (which did for Jewish music what Bartók did for Eastern European folk culture). It’s hardly surprising that much of Achron’s music is for violin—he was a consummate player himself and a prolific recitalist. But what’s striking is how varied and exploratory his output is, delighting in experimentation, as the wonderfully named Suite bizarre demonstrates, just as much as the direct emotionalism of his transcriptions of Hebraic melodies. Who better to present this music than two artists steeped in similar traditions to Achron: Hagai Shaham and Arnon Erez.

by Gennadiy Vladimirovich Zhizhin (Author)
Research on nanomaterials and their applications has become a trending area in various fields of study and practice