Some of Count Basie's finest recordings were cut for the Roulette label during 1957-1962, and all of his studio performances are included on this massive Mosaic ten-CD boxed set. Among the classic former LPs that are reissued here are The Atomic Mr. Basie, Basie Plays Hefti, Chairman of the Board, Everyday I Have the Blues, and Kansas City Suite. With such soloists as trumpeters Thad Jones and Joe Newman, the tenors of Frank Foster and Eddie Lockjaw Davis, Frank Wess on alto and flute, vocals by Joe Williams, and the timeless arrangements of Neal Hefti, Thad Jones, Frank Foster, Ernie Wilkins, and Frank Wess among others, this essential (but unfortunately limited-edition) set features the second Count Basie Orchestra at its very best.
Frank sinatra The Complete Reprise Studio Recordings (1995 US limited edition 20-CD set containing a total of 452 songs [over 24 hours sequenced in chronological order] recorded between 1960 & 1988, with 70 songs previously unavailable on CD & a further 18 previously unreleased titles, presented in embossed deluxe leather and brass bound 'trunk' carry case with individually numbered brass plaque, complete with 96-page hard back book with extensive liner notes and insightful essays by respected Sinatra scholars like Will Friedwald, interviews and photographs.)
The eight CDs that make up this collection document the second rise of Count Basie's big band. The second band had been created at the urging of Billy Eckstine, who convinced Basie that even though the era of the large jazz-swing orchestra – an era he was an architect of – was by all appearances over, he could make a real go of it with his brand of blues and swing.
Count Basie defined the jazz meaning of swing. His band could get more bounce from a line that any other. And though his soloists were never of highest dazzle, they always fit the program. These live recordings from 1959, 1961 and 1962 capture the Count at his comfort. Mosaic has done its usual fine job with them on eight CDs. Roulette itself has reissued 12 of the cuts on a single CD entitled ``Basie in Sweden,`` for those who just want a taste.
This magnificent three-disc set has the first 63 recordings by Count Basie's Orchestra, all of his Deccas. The consistency is remarkable (with not more than two or three turkeys) and the music is the epitome of swing. With such soloists as Lester Young and Herschel Evans on tenors, trumpeters Buck Clayton and Harry "Sweets" Edison, the great blues singer Jimmy Rushing, and that brilliant rhythm section of Basie, guitarist Freddie Green, bassist Walter Page, and drummer Jo Jones, the music is timeless. It's all here: "One O'Clock Jump," "Sent for You Yesterday," "Blue and Sentimental," "Jumpin' at the Woodside," "Jive at Five," and many others. This is the first Count Basie collection to acquire and should be in every jazz collection.
One of the reasons that some major labels love to license big chunks of their catalogs to smaller independent outfits for box set reissues is that they never know that those licensees will turn up in putting those sets together, and it all becomes fair game for the parent company. Thus, in 1994, a year after Mosaic unearthed five previously unissued tracks from the October 1957 sessions that yielded The Atomic Mr. Basie on Roulette, Capitol Records (which had acquired the Roulette library) issued this expanded version of the original album. The original 11 songs are here, remastered into proper mono (there was an impossible to listen to duophonic stereo master made at the time of release that was in circulation on LP for a time), along with five outtakes consisting of material written and arranged by Jimmy Mundy…
Motown’s legendary songwriting/production team, Holland-Dozier-Holland, left the fold in 1967, to establish their own Invictus/Hot Wax group of labels. They had worldwide hits with their flagship act, Chairmen Of The Board, debuted the first album by Parliament, as well as scoring a UK #1 with Freda Payne’s ‘Band of Gold…