Frank Zappa & The Mothers Roxy The Movie (2015) [blu Ray & Bdrip 720p]

Frank Zappa’s ‘Over-Nite Sensation’ Turns 50 With New Super Deluxe Edition. The new five-disc edition of Zappa’s widely-acclaimed 1973 opus includes 57 previously unreleased tracks and mixes.

Frank Zappa & The Mothers Of Invention - Beat The Boots, Vol II (1992) {Rhino R2 71017~023 rec 1968-1978}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.07 Gb | MP3 @320 -> 899 Mb
Full Artwork @ 300 dpi (jpg) -> 312 Mb | 5% repair rar
© 1968-78, 1992 Rhino / FOO-EEE | R2 71017~023
Rock / Experimental Rock / Art Rock

This is the second (and final) bootleg-gone-legit box that was actually sanctioned by Frank Zappa. But rather than go to the expense and time to use better sources – which the artist presumably had access to – he simply ripped off the illicit recordings that had been doing the same to him for decades. And voila, Beat the Boots was born. Zappa enlisted Rhino Records to manufacture and distribute the anthologies – which were packaged to appear as if the contents were being sold in a low budget cardboard box. However once inside Beat the Boots!, Vol. 2 (1992), consumers were treated to a full LP jacket-sized 40-page memorabilia scrapbook, a black felt beret and a red pin/badge bearing the hammer-in-fist artwork emblazoned on it.

Frank Zappa & The Mothers - The Grand Wazoo (1972) + Over-Nite Sensation (1973) {1995 Ryko Remaster Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 494 Mb | MP3 @320 -> 170 Mb
Full Artwork @ 600 dpi (png) -> 914 Mb | 5% repair rar
© 1995 Rykodisc / The Zappa Family Trust | RCD 10517 / RCD 10518
Rock / Experimental Rock / Jazz Rock

This album appeared within the same year as WAKA/JAWAKA and continued Zappa's exploration of the possibilities for composing and arranging material for a big band with a hefty brass and reed section. Both albums were produced during the period in which he was recuperating from injuries sustained when he was thrown from the stage during a London concert the year before. THE GRAND WAZOO still sounds like a fresh and equal marriage of Zappa's already developed and apparent musical sensibilities with large ensemble jazz writing. The couple vocal numbers utilize the singing as another melodic line, and are knitted into the whole fabric rather than laying on top.

Frank Zappa & The Mothers Of Invention - Beat The Boots, Vol I (1991) {Rhino R2 70537~44 rec 1967-1982}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.54 Gb | MP3 @320 -> 1.03 Gb
Full Artwork @ 300 dpi (jpg) -> 186 Mb | 5% repair rar
© 1967-82, 1991 Rhino / FOO-EEE | R2 70537~44
Rock / Experimental Rock / Art Rock

Beat the Boots is a collection of bootleg recordings by Frank Zappa which were originally distributed illegally but were released officially by Rhino Entertainment in 1991. The recordings were available as individual CDs and as an LP or cassette box set. The eight discs span a fifteen-year period from September 30, 1967 ('Tis the Season to Be Jelly) to May 21, 1982 (two tracks on As an Am).

Released soon after the live Roxy & Elsewhere, One Size Fits All contained more of the material premiered during the 1973-1974 tour, but this time largely re-recorded in the studio. The band remains the same: George Duke, Napoleon Murphy Brock, Chester Thompson, Tom Fowler, and Ruth Underwood. Johnny "Guitar" Watson overdubbed some vocals and Captain Beefheart (credited as Bloodshot Rollin' Red) played some harmonica ("when present," state the liner notes). The previous album focused on complex music suites. This one is more song-oriented, alternating goofy rock songs with more challenging numbers in an attempt to find a juste milieu between Over-Nite Sensation and Roxy & Elsewhere. "Inca Roads," "Florentine Pogen," "Andy," and "Sofa" all became classic tracks and live favorites…

Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister, Joe Travers, The Mothers 1970 collects together more than four hours of previously unreleased performances by the heralded line-up which lasted roughly seven months: Aynsley Dunbar (drums), George Duke (piano/keys/trombone), Ian Underwood (organ/keys/guitar), Jeff Simmons (bass/vocals) and Flo & Eddie aka Howard Kaylan (vocals) and Mark Volman (vocals/percussion) of The Turtles who performed under the aliases to skirt contractual limitations of performing under their own names. This iteration of The Mothers, which likely began rehearsals fifty years ago this month, came to an end in January of 1971 when Simmons quit the band during the making of the 200 Motels movie.