Just Another Band From L.A. was recorded live at the Pauley Pavillion, UCLA (Los Angeles), on August 7, 1971. Released in early 1972, it is the last album to document the Mothers of Invention lineup that included singers Mark Volman and Howard Kaylan (aka Flo & Eddie). The other bandmembers on this particular recording are: Ian Underwood, Aynsley Dunbar, Don Preston, and Jim Pons. A previous LP, Fillmore East, June 1971, focused on material related to life on the road that had to be dropped from the movie and album 200 Motels. …
In 1968, an ad from Frank Zappa in the L.A. Free Press read: “The Mothers of Invention cordially invite you to join them on Tuesday, July 23, 1968 when they will be taking over the Whisky a Go Go for 5 full hours of unprecedented merriment, which will be secretly recorded for an upcoming record album. Dress optional. Starting sometime in the evening. R.S.V.D.T.” That album ultimately ended up remaining mostly unheard, until now. The live collection Whisky a Go Go, 1968 is set to finally be released June 21st, 2024, via Zappa Records/UMe.
Aside from the experimental side project Lumpy Gravy, Hot Rats was the first album Frank Zappa recorded as a solo artist sans the Mothers, though he continued to employ previous musical collaborators, most notably multi-instrumentalist Ian Underwood. Other than another side project – the doo wop tribute Cruising With Ruben and the Jets – Hot Rats was also the first time Zappa focused his efforts in one general area, namely jazz-rock. The result is a classic of the genre.
Just three years into their recording career, the Mothers of Invention released their second double album, Uncle Meat, which began life as the largely instrumental soundtrack to an unfinished film. It's essentially a transitional work, but it's a fascinating one, showcasing Frank Zappa's ever-increasing compositional dexterity and the Mothers' emerging instrumental prowess…
Zappa Records/UMe issued The Mothers 1970, a four-CD Frank Zappa box set which features 70 unreleased tracks from the short-lived 1970 line-up of the Mothers of Invention. The band during this period last around seven months and was Aynsley Dunbar, George Duke, Ian Underwood, Jeff Simmons, and Flo & Eddie (aka Howard Kaylan and Mark Volman).
One of the most ambitious debuts in rock history, Freak Out! was a seminal concept album that somehow foreshadowed both art rock and punk at the same time. Its four LP sides deconstruct rock conventions right and left, eventually pushing into territory inspired by avant-garde classical composers…
Frank Zappa's liner notes for Freak Out! name-checked an enormous breadth of musical and intellectual influences, and he seemingly attempts to cover them all on the second Mothers of Invention album, Absolutely Free. Leaping from style to style without warning, the album has a freewheeling, almost schizophrenic quality, encompassing everything from complex mutations of "Louie, Louie" to jazz improvisations and quotes from Stravinsky's Petrushka…
Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each.
Burnt Weeny Sandwich is the first of two albums by the Mothers of Invention that Frank Zappa released in 1970, after he had disbanded the original lineup. While Weasels Ripped My Flesh focuses on complex material and improvised stage madness, this collection of studio and live recordings summarizes the leader's various interests and influences at the time…