Frank Zappa 20240821t083648z 009.zip

A fascinating collection of mostly instrumental live and studio material recorded by the original Mothers of Invention, complete with horn section, from 1967-1969, Weasels Ripped My Flesh segues unpredictably between arty experimentation and traditional song structures. Highlights of the former category include the classical avant-garde elements of "Didja Get Any Onya," which blends odd rhythmic accents and time signatures with dissonance and wordless vocal noises; these pop up again in "Prelude to the Afternoon of a Sexually Aroused Gas Mask" and "Toads of the Short Forest." The latter and "The Eric Dolphy Memorial Barbecue" also show Frank Zappa's willingness to embrace the avant-garde jazz of the period. Yet, interspersed are straightforward tunes like a cover of Little Richard's "Directly From My Heart to You," with great violin from Don "Sugarcane" Harris…

While most of the discussions of Frank Zappa have to do with his satirical and off-color lyrics, the fact remains that he was one of the finest and most underappreciated guitarists around. This collection places the spotlight squarely on Zappa's mastery of the guitar. Recorded for the most part in 1979 and 1980 (with a few tracks dating as far back as 1977), Shut Up 'n Play Yer Guitar is simply a collection of guitar solos. Even though most of the tracks were just edited out of their original song context, they fare well as stand-alone pieces, as Zappa was an ever-inventive player. Take, for example, the three versions of "Shut Up." These tracks were simply the guitar solos from "Inca Roads," but thanks to Zappa's ability for "instant composition," each version has its own complete story to tell, without ever being redundant…

While most of the discussions of Frank Zappa have to do with his satirical and off-color lyrics, the fact remains that he was one of the finest and most underappreciated guitarists around. This collection places the spotlight squarely on Zappa's mastery of the guitar. Recorded for the most part in 1979 and 1980 (with a few tracks dating as far back as 1977), Shut Up 'n Play Yer Guitar is simply a collection of guitar solos. Even though most of the tracks were just edited out of their original song context, they fare well as stand-alone pieces, as Zappa was an ever-inventive player. Take, for example, the three versions of "Shut Up." These tracks were simply the guitar solos from "Inca Roads," but thanks to Zappa's ability for "instant composition," each version has its own complete story to tell, without ever being redundant…

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers. The recipe would be extended to The Man From Utopia (1983) and Them or Us (1984). Side one features three studio songs that would never be performed on stage. By 1981, Zappa had become a master at manipulating vocal tracks, a technique featured in each of them, but most successfully in "Valley Girl," where daughter Moon Unit (aged 14 at the time) pastiches rich girls from the San Fernando Valley…

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers. The recipe would be extended to The Man From Utopia (1983) and Them or Us (1984). Side one features three studio songs that would never be performed on stage. By 1981, Zappa had become a master at manipulating vocal tracks, a technique featured in each of them, but most successfully in "Valley Girl," where daughter Moon Unit (aged 14 at the time) pastiches rich girls from the San Fernando Valley…

Released in May 1982, Ship Arriving Too Late to Save a Drowning Witch marks Frank Zappa's entrance into the 1980s. From this point on, his rock records would focus on single, simple rock songs (the previous year's You Are What You Is had them organized in interconnecting suites) with occasionally more complex instrumental numbers. The recipe would be extended to The Man From Utopia (1983) and Them or Us (1984). Side one features three studio songs that would never be performed on stage. By 1981, Zappa had become a master at manipulating vocal tracks, a technique featured in each of them, but most successfully in "Valley Girl," where daughter Moon Unit (aged 14 at the time) pastiches rich girls from the San Fernando Valley…

Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each. This album presents Zappa's first recordings with a decent orchestra, the 50-piece Abnuceals Emuukha Electric Symphony Orchestra. His symphonic writing was very much influenced by Stravinsky and Varèse…