Frank Zappa Make a Jazz Noise Here

Strictly Commercial is a compilation album by Frank Zappa. It was released in 1995, two years after his death. The album was named as part of a 2011 lawsuit by Gail Zappa towards Rykodisc, claiming the label released several vault masters without the permission of the Zappa Family Trust on this and other releases, specifically the single edits of some songs, such as the 12" disco Remix of "Dancin' Fool".

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."

Frank Zappa had a long career and while the early records were singled out early for their innovative mastery, many of his mid-70s works get lost in the shuffle. One Size Fits All, however, should be in every Zappa collector's possession. Much is often made of Zappa's social/ sexual commentary, but it is his instrumental prowess that deserves to be treasured above all.

Rare and previously unreleased mixes taken from The Hot Rats Sessions. A 50th anniversary celebration of the 1969 album Hot Rats.

Celebrating the 50th anniversary of one of the greatest albums in the history of recorded music. The original 1969 Frank Zappa album was the first record to be recorded on a prototype 16-Track Tape Machine. Self-described as a “Movie For Your Ears,” it was technically the second solo outing for the composer and the album that put FZ on the map as a guitar player. The vinyl for Hot Rats 50th is a 1LP of the original album, pressed on hot pink vinyl, pressed at Pallas on 180g.

Chunga's Revenge is the third solo album by Frank Zappa, released on October 23, 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Flo & Eddie on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history. Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats.

On June 18, Zappa’s historic, final American show will be released for the first time as the new live album, Zappa ’88: The Last U.S. Show via Zappa Records/UMe.

The Omnibus Wind Ensemble's interest in Frank Zappa's music dates back to the beginning of the 1980s, almost from their very beginnings. Under the motto "From Mozart to Zappa", which also became the title of their 1st, widely acclaimed CD on the Opus3 label, they have had many of Frank Zappa's compositions in their repertoire over the years.

The Omnibus Wind Ensemble's interest in Frank Zappa's music dates back to the beginning of the 1980s, almost from their very beginnings. Under the motto "From Mozart to Zappa", which also became the title of their 1st, widely acclaimed release on the Opus3 label, they have had many of Frank Zappa's compositions in their repertoire over the years.

Weasels Ripped My Flesh is the seventh studio album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. It is the second album released after the Mothers disbanded in 1969, preceded by Burnt Weeny Sandwich. In contrast to its predecessor, which almost entirely focused on studio recordings of arranged compositions, Weasels Ripped My Flesh consists of a combination of live and studio recordings and features more improvisation.