David Sylvian first collaborated with American poet Franz Wright's voice in the Kilowatt Hour live project with Christian Fennesz and Stephan Mathieu. On There's a Light That Enters Houses with No Other House in Sight, the writer appears again, but in an almost entirely different musical context. Fennesz returns and pianist John Tilbury, Otomo Yoshide, and Toshimaru Nakamura provide significant assistance. A single 64-minute work, Sylvian's composition features the Pulitzer Prize-winning poet reading from his collection of prose poems Kindertotenwald. (It literally translates as "Children Dead Forest," yet given Wright's well-documented volunteer work with children stricken by grief, "Children of the Dead Forest" might be more appropriate.)
This Deutsche Grammophon compilation is an excellent celebration of the talents of the great pianist Sviatoslav Richter. In keeping with his own approach, the choice of music demonstrates that there is much more to piano virtuosity than the ability to play fast and loud. He could do this, of course, but here we also experience his phenomenal control over the `colour' of each note (the Bach D minor prelude) his poise (the Debussy Estampes) and his intellectual grasp of structure (the Chopin F minor Ballade which also superbly demonstrates his ability to make the piano roar, whisper or sing).
David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa Conservatory, graduating in 1926 by playing Prokofiev's First Violin Concerto.