Des enregistrements historiques fabuleux qui auront marqué l'évolution du piano, de l'enregistrement et de la lecture de chopin. Des interprétations globalement bonnes en ce qui concerne l'intégrale et, surtout, une classification qui permet d'ordonner aisément le répertoire de Chopin. Alors, bien sûr, il existe des interprétationsplus brillantes, plus prestigieuses mais ne dit-on pas aussi qu'il y a une certaine forme de subjectivité qui détermine un jugement? Ce coffret est un bon reflet de l'oeuvre de Chopin, honnêtement interprétée.
Angela Hewitt has applied the same intense study to Chopin's Nocturnes and Impromptus as she does to any composer's keyboard works. The result is a set of pieces lovingly played and appreciated, with personally felt emotion. The most outwardly emotional displays, as in the Nocturnes, Op. 15, are never wildly loud and always return to an introverted state afterward. In the Nocturnes she uses little touches of rubato so frequently as to almost stretch the melodies out of shape, as in Op. 9/1, but she plays many of the Nocturnes a tick faster than other pianists so that they stand up to that kind of manipulation better, and she never slows down to fit in ornaments. Her ornaments always fit right into the melody, both in her timing and her phrasing, and are feathery soft.
The career of the young Russian pianist Pavel Kolesnikov has taken off since he won the Honens Prize in 2012. He issued a live recording and then a fine album of Tchaikovsky pieces that, while pleasures all, are not really everyday items. With this set of 24 of Chopin's 58 mazurkas, he makes what might be regarded as his debut in mainstream repertory. Twisting and turning the slightly tense rhythm of the Polish folk dance in a dozen different directions, they're an excellent pick for Kolesnikov's deliberate yet playful style. Kolesnikov observes all of Chopin's repeats, daring the listener to find them tedious and delivering with readings that diverge in small but telling details from the first time through. It's in the small details that Kolesnikov excels. The temperature of the entire recording is low, and Hyperion's engineers set just the right level at their favorite venue for this kind of recital, the Wyastone Estate concert hall. But the listener is drawn into Kolesnikov's unique handling of the unusual technical devices in which these pieces abound.
The Nocturne is a romantic piano piece in which a nocturnal, romantic atmosphere is expressed, where perfumed melodies float serenely over a calmly murmuring accompaniment.-Credit where credit is due: the inventor of the genre is the Irish composer John Field, who made fame as a pianist of his own works. It needed the genius of Chopin to perfect the genre to the highest artistic level: Chopin's Nocturnes are the archetypes of romantic piano music, and count among his best loved works.
This 17-CD set presents the complete works by Frédéric Chopin (1810-1849): the piano solo works, the works for piano & orchestra, chamber music and songs. Chopin is one of the most popular and universally best loved composers of all times. The piano works of the Polish master touch the heart chords of every listener and music lover around the world, they speak the universal language of beauty, melancholy, tenderness and passion.
Chopin Year 2010 coincides with the 60th anniversary of Daniel Barenboims stage début, and as a pianist he has decided to devote this year to the great Romantic master of the keyboard. Fryderyc Chopin was born on 1 March 1810 in a small village near Warsaw, and on the eve of the 200th anniversary of this date Barenboim gave this wildly acclaimed Warsaw recital as part of an extensive European tour. Recorded live at the National Philharmonic Hall, Warsaw, the programme presents some of the composers best-known works, including the great B flat minor Sonata with its famous Funeral March, which sounded to many as the composer may well have imagined it.
In celebration of Chopin’s 200th anniversary in 2010, here is the ultimate, complete, in particular priced 17-CD edition of the composer’s works, combining the very best recordings from the Deutsche Grammophon and Decca catalogs. Featured are some of the great Chopin interpreters of our time–Argerich, Pires, Pollini, Zimerman–with substantial contributions from particular pianists of the younger generation such as Rafał Blechacz and Yundi Li.
When Jorge Bolet died in October 1990 the world lost one of its last ‘great Romantics’. Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.