Frida Elliot Goldenthal

This Audiophile CD release is comprised of 22 brief performances (generally 2-2 1/2 minutes apiece) that were originally recorded as radio transcriptions (rather than commercial records). Altoist Gene Quill and tenorman Al Cohn (one of the main arrangers) are the main soloists on the big-band selections while Lawrence (on piano) is also featured in a sextet with guitarist Mary Osborne and Tyree Glenn (who doubles on trombone and vibes)…

18th-century Italian violinists trained in the tradition of Arcangelo Corelli, spreading his elegant, expressive and virtuosic style on their travels throughout Europe. Giovanni Mossi’s sonatas retain Corelli’s dramatic contrasts and structure, while Giovanni Stefano Carbonelli also incorporates features found in music by Vivaldi. Both composers’ works combine formal elegance with wild abandon, lyrical charm and virtuosity alongside plenty of room for improvisation from acclaimed soloist Augusta McKay Lodge.

Elliot Lurie (born August 19, 1948) is an American musician who was the lead guitarist, songwriter, and co-lead vocalist for the band Looking Glass from 1969 to 1974. He wrote and sang lead on their 1972 #1 hit single "Brandy (You're a Fine Girl)" and their 1973 Top 40 single "Jimmy Loves Mary-Anne". After leaving the band in the mid-1970s, Lurie released a self-titled album and a single, "Disco (Where You Gonna Go)", both on Epic Records. Neither reached the Billboard Top 100. He later signed with Arista Records, and also worked writing songs for Chappell Music and Screen Gems Music. In the 1980s, Lurie wrote and produced music for private business use. He moved to Los Angeles in 1984, and in 1985, became head of the music department at 20th Century Fox. That year, he produced the soundtrack album for the John Travolta and Jamie Lee Curtis film Perfect. Since then he has worked as music supervisor on numerous mainstream films, including Alien 3 (1992), A Night at the Roxbury (1998), Riding in Cars with Boys (2001), I Spy (2002) and Spanglish (2004).

Smooth Jazz Icon Richard Elliot has performed and recorded with jazz and R&B superstars Rod Stewart, Smokey Robinson, The Yellow Jackets, Tower Of Power,and Bonnie Raitt, just to name a few. With more than 20 top ten smooth jazz singles and number 1 contemporary jazz albums, he has delighted his dedicated fan base worldwide. 'Straight Up Down', produced by Richard and his long-time collaborator Paul Brown, overflows with Richard's ebullient spirit. Highlights include a deeply moving remake of the S.O.S Band classic "Tell Me (If You Still Care About Me)," Richard's tasty collaboration with Paul Brown, "High Tide," the joyous "Very Delicious," and much more!

Ostensibly a Dave Mason solo album, this became one of his finest when he was coupled with Cass Elliot, a stroke of genius. Elliot's involvement is, while not suspect, somewhat limited. Although she provides excellent background vocals, she tends to get a little lost in the harmony stack. Nevertheless, this is a great moment for her too. The album, though, is propelled by Mason's awesome songwriting talents, and tracks such as "On and On," "Walk to the Point," and several others bear this out. His guitar playing is some of his finest recorded work, especially the epic "Glittering Facade," where he layers acoustic and electric guitars with a scintillating effect. Elliot's "Here We Go Again" showcases her ability as a great lead vocalist, and Paul Harris provides some excellent keyboard and string arrangements, providing a glimpse of the fine work that was to follow in Stephen Stills' Manassas…

With several top 40 hits to his name and a remarkably diverse oeuvre spanning several different styles, Livingston Taylor is widely regarded for his creation of beautiful, introspective, and original songs and sparkling interpretations of the classic songbook. Pair his compositional talents and natural performance ability with the might, musicality, and precision of the BBC Concert Orchestra, and a spellbinding program of melodies old and new come to life.