Very few jazz composers have experienced the extremes of acceptance and rejection that were Thelonious Monk's lot. Ignored and rejected early in his career – in part for the oblique weirdness of his piano style, in part for the difficulty and angularity of his compositions, and in part because he was quite clearly mentally ill – he did at least live to see his music given the appreciation it deserved, and his work has only grown in esteem since his death in 1982. Today, his pieces are among the most frequently performed and recorded of any jazz composer; as popularity among musicians goes, his music is on the same level as that of Duke Ellington and Miles Davis.
The latest EP from the legendary Misfits debuts 4 new horror-punk anthems for the new millennium, each written by founding fiend Jerry Only (bass/vocals) himself! An homage to 80’s era slashers, classic Sci-fi and everything in between .
Following a stream of magnificent and hugely influential albums in the early to mid-1950s, the latter part of the decade and the lead up towards his signing for Columbia Records proved a major transitional period for jazz composer and pianist Thelonious Monk.
The studio and live recording sessions that Thelonious Monk cut during his six-year stay at the Riverside label are compiled over the 15 discs in the Complete Riverside Recordings. This middle era – between his early sides for Prestige and the final ones for Columbia – is generally considered Monk's most ingenious and creative period. The sessions are presented in chronological order, accurately charting the progression and diversions of one of the most genuinely enigmatic figures in popular music. The Complete Riverside Recordings explores Monk's genius with a certain degree of real-time analysis that simply listening to each of the individual albums from this era lacks.
Featuring the same magical Templar quartet from “In Sacred Blood”, “The Last Judgment” is the final CD in the remarkable Moonchild septology. This project has explored many different worlds in the past 8 years, and this CD takes a moody and lyrical approach with Medeski’s organ fully integrated into the band. Once again inspired by the legend of the powerful Knights Templar and their tragic demise under accusations of heresy in 1307, Zorn has composed a suite of pieces with a strong sense of continuity and emotional impact. Mike Patton draws on every vocal technique in his huge arsenal and the rhythm section of Dunn and Baron are tighter than ever. The last piece of the Moonchild puzzle—essential!