Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory…
Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory…
There's no point judging music artifacts on the merit of audile quality, not when the artifact in question represents the birth of one of the greatest metal bands in history, DEATH. Instead, we should embrace the buzzbombing, ratchety and frankly horrid cassette-era transfer of basement tapes comprising MANTAS' "Death by Metal" as a peek into the origins of future genius…
Returning with a largely revamped lineup, Swedish power metallers Sabaton narrow their thematic focus on their seventh studio album, Heroes. Rather than tackling the large-scale battles they have in the past, the band focuses their lyrics on individual feats of wartime heroics…
Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date. It is considered one of the first ever groove metal albums. On September 14, 2010 a 20th anniversary edition was released with a remastered mix from the original analog recordings. The expanded edition features a bonus CD of previously unreleased live recordings and the Alive and Hostile EP. The deluxe edition features an additional third CD with the previously unreleased demo track "The Will to Survive" (parts of the song were later used in the song "This Love" from Vulgar Display of Power) along with demo versions of ten songs from the original album.
Where Pyromania had set the standard for polished, catchy pop-metal, Hysteria only upped the ante. Pyromania's slick, layered Mutt Lange production turned into a painstaking obsession with dense sonic detail on Hysteria, with the result that some critics dismissed the record as a stiff, mechanized pop sellout (perhaps due in part to Rick Allen's new, partially electronic drum kit). But Def Leppard's music had always employed big, anthemic hooks, and few of the pop-metal bands who had hit the charts in the wake of Pyromania could compete with Leppard's sense of craft; certainly none had the pop songwriting savvy to produce seven chart singles from the same album, as the stunningly consistent Hysteria did…