Through evocative, emotionally resonant music, Goodbye, Hotel Arkada, the new LP from American harpist and composer Mary Lattimore, speaks not just for its beloved namesake — a hotel in Croatia facing renovation — but for a universal loss that is shared. Six sprawling pieces shaped by change; nothing will ever be the same, and here, the artist, evolving in synthesis, celebrates and mourns the tragedy and beauty of the ephemeral, all that is lived and lost to time. Documented and edited in uncharacteristically measured sessions over the course of two years, the material remains rooted in improvisation while glistening as the most refined and robust in Lattimore’s decade-long catalog. It finds her communing with friends, contemporaries, and longtime influences, in full stride yet slowing down to nurture songs in new ways. The cast includes Lol Tolhurst (The Cure), Meg Baird, Rachel Goswell (Slowdive), Roy Montgomery, Samara Lubelski, and Walt McClements.
Annabel Mehran's black-and-white cover photo for Steve Gunn's The Unseen Inbetween is a portrait of the guitarist and songwriter seemingly on the move. It evokes those found on early- to mid-'60s recordings by Bob Dylan, Koerner, Ray & Glover, Jackson C. Frank, Bert Jansch, and others. Gunn has shifted his focus considerably. Rather than simply showcase his dazzling guitar playing, he delivers carefully crafted, uncharacteristically tight and well-written songs with guitars, keyboards, strings, reeds – and percussion – translating them without artifice or instrumental disguise. Gunn's also a more confident, capable singer than he was on 2016's Eyes on the Lines and it shows.
Dan Baird is best known for his work as the singer/rhythm guitarist for the 1980s band Georgia Satellites. Baird left the Georgia Satellites in 1990 and has pursued a solo career since that time…
Eddie Baird is a Singer/Songwriter/Guitarist with long established English acoustic group ‘Amazing Blondel’ who first became popular in the 1970’s touring with bands such as Free, Fairport Convention, Traffic, Steeleye Span, Cat Stevens and many more…
Though chiefly celebrated now, as in his own day, as an opera composer, Hasse wrote a significant quantity of sacred pieces and much delightful chamber music for voices and instruments. This new disc offers a well-chosen and stylishly performed selection, almost entirely belonging to the last mentioned category. He was a younger contemporary and compatriot of Bach, Handel and Telemann, whose music by and large reflected the rococo taste for pleasing melodies with lightly textured and graceful accompaniments. Doctor Burney was fulsome in his tribute to Hasse, describing him as ''equally a friend to poetry and the voice''. The two cantatas, aria and ballads performed in this programme would seem to bear out Burney's opinion.