This is a movie version of Cosi in which the performers lip synch to a pre-recorded sound track. I expected it to detract mightily from the quality of the production, but it doesn't for two reasons. First, the lip synching is just about flawless. I don't recall seeing lips moving without the words matching (although there's a slight change in the tone of the audio as the singing starts and the soundtrack switches to "pre-recorded" mode). Second, the director Jean-Pierre Ponnelle gathered a first-rate group of performers, led by the great Edita Gruberova as Fiordiligi. Gruberova's "Per pieta" is reason alone to see (and hear) this production.By Toni Bernhard
"It begins startlingly: brisk, staccato, pistol-shot chords, and the oboe is off at a fashionably rapid pace which is arrested at the orchestral statement ‘Cosi fan tutte’: and then the Presto, at a tempo that tests the agility of the woodwind (and does not find it wanting). This is not, in short, a conventional performance, either of the traditional or the ‘period-instrument’ type. Rene Jacobs tends to make the fast music faster than usual and the slow slower. Several numbers emerge with a real brilliance of sound and execution: the last of the three trios in the opening scene, for instance, the sextet, the men’s laughing trio, the stretto of the Act 1 finale, or the end of the ‘lesson-in-love’ quartet. In much of the slower music he is apt to luxuriate. The farewell quintet is a case in point, but it is agonizingly lovely; the heavenly trio that follows too is leisurely, with a cloudy, sensuous quality to the sound…"
I Dirotta su Cuba sono un gruppo musicale italiano fondato nel 1989 da Rossano Gentili e Stefano De Donato e seguiti l'anno successivo dalla vocalist Simona Bencini.
Nell’estate del 1994 il brano "Gelosia" anticipa l'album di debutto "Dirotta su Cuba" (uscito nel 1995) che guadagnerà il disco di platino
Mozart's genius in setting to music Da Ponte's comic play of love, infidelity and forgiveness marks Così fan tutte as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful production for the Glyndebourne Festival in 2006, with its sure touch and theatrical know-how, lives up to its promise to be 'shockingly traditional', while Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.