Gentle Giant In'terview (emi Music Japan Shm CD Tocp 95086) 76

With the new romantic movement they'd helped spearhead on the way out, futurist icons Spandau Ballet began thinking seriously about the future on their second album. The seeds of the group's transition to a slick, MOR soul outfit can be heard in hits like "Chant No. 1," the best song Spandau Ballet had come up with…

By 1983, with the new romantic movement they'd sprung from a rapidly fading memory, the members of Spandau Ballet showed they had no intention of traveling the same path. Always ambitious, the British quintet really got down to business: Gone were the kilts, frilly shirts, and makeup – as well as the sometimes chilly electronics of their first two albums…

Changing their band name as often as they changed the genre of music they played, Spandau Ballet began as a punk rock band calling themselves The Cut. Shortly after they changed their name to The Makers, and again In 1978 they changed their sound to a more power pop renaming themselves Gentry. Changing their sound once again to a more polished, synth heavy pop with an emphasis on the romantic the band changed their name for a last time to Spandau Ballet after (as the story goes) seeing the name "Spandau Ballet" written on a lavatory wall in a bar in Berlin…

Parade was Spandau Ballet's follow-up to their most successful LP, 1983's True. "Only When You Leave" reached number three on the U.K. charts. The three other singles that were released do successively worse: "I'll Fly for You" (number nine), "Highly Strung" (number 15), and "Round and Round" (number 19)…

Of all the bands that were unjustly overlooked in the early 1990's, none deserved the spotlight more than Tyketto. The band's debut album Don't Come Easy was an AOR/melodic rock masterpiece, embodying everything good about that style of music, and should have vaulted the band into the same arena as bands like Damn Yankees, Bad English, Firehouse, and Giant. Instead they went largely unnoticed…

Bill Evans - Jazzhouse (1969) {2012 Japan SHM-CD Mini LP 24-96 Remaster UCCO-90135}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 209 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar | 24-96 remaster
© 1969, 2012 Milestone / Fantasy / Concord / Universal Japan | UCCO-90135
Jazz / Post Bop / Modal Music / Piano

Cardboard sleeve (mini LP) reissue from Bill Evans featuring the high-fidelity SHM-CD format (compatible with standard CD players) and the latest 24bit/96kHz digital remastering. Part of a 5-album Bill Evans SHM-CD cardboard sleeve reissue series featuring albums "I Will Say Goodbye," "Alone (Again)," "Intuition," "Re: Person I Knew," and "Jazzhouse." This set is one of two albums (both reissued on CD) recorded by the Bill Evans Trio (with bassist Eddie Gomez and drummer Marty Morell) at Copenhagen's Montmartre on one night in 1969 but not released initially until the late '80s. Evans sounds relaxed and swinging playing his usual repertoire. All of the songs (mostly standards) have been recorded by Evans at other times but the pianist's many fans certainly will not mind hearing these "alternate" versions of such tunes as "How Deep Is the Ocean," "How My Heart Sings," "Sleepin' Bee" and a light-hearted "California Here I Come."

The Bill Evans Trio - I Will Say Goodbye (1977) {2012 Japan SHM-CD Mini LP 24-96 Remaster UCCO-90131}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 220 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 169 Mb | 5% repair rar | 24-96 remaster
© 1977, 2012 Fantasy / Concord / Universal Japan | UCCO-90131
Jazz / Post Bop / Modal Music / Piano

Cardboard sleeve (mini LP) reissue from Bill Evans featuring the high-fidelity SHM-CD format (compatible with standard CD players) and the latest 24bit/96kHz digital remastering. Comes with bonus track(s). Part of a 5-album Bill Evans SHM-CD cardboard sleeve reissue series featuring albums "I Will Say Goodbye," "Alone (Again)," "Intuition," "Re: Person I Knew," and "Jazzhouse." The title refers to the Michel Legrand piece performed twice on the date, and to the fact that pianist Bill Evans was on the verge of switching labels from Fantasy to Warner Bros.