Geolier Dio LO SA

During the early 1990s Antonio Florio (together with Dinko Fabris) was making substantial discoveries in the field of Baroque repertory from Naples for performance and recording, and now that Florio and I Turchini are making new recordings for Glossa (Caresana’s Tenebrae and L’Adoratione de’ Maggi), we are delighted to be bringing back into circulation some of those earlier ground-breaking recordings, signed by Roberto Meo and Sigrid Lee, focusing here – with Il Canto della Sirena – on Neapolitan chamber cantatas from the 17th and early 18th centuries.

Anyone with even a passing interest in Italian progressive rock is unlikely to be unaware of Aldo Tagliapietra. Born in Murano, Rome, in 1945 for over forty years (1966-2009 with a break 82-86) he fronted one of the most successful Italian prog bands, Le Orme. Originally playing guitar as well as providing his distinctive melancholic falsetto vocal style he also turned to playing bass for the classic trio line-up of keyboard driven symphonic prog band of the seventies. When Le Orme temporarily split in 1982 he took the opportunity to release his first solo album "…Nella Notte" in 1984.
2012 finds him putting out his work ''Nella Pietra E Nel Vento'', where Tagliapietra sings and plays bass next to guitarist Andrea De Nardi, keyboardist Matteo Ballarin, drummer Manuel Smaniotto (all members of Former Life) and keyboardist Aligi Pasqualetto.

After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising – impressive, but not surprising – when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove for the timelessly epic title track – a worthy successor to glorious triumphs past like Rainbow's "Stargazer" and the Sabs' "Sign of the Southern Cross."

After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising – impressive, but not surprising – when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove for the timelessly epic title track – a worthy successor to glorious triumphs past like Rainbow's "Stargazer" and the Sabs' "Sign of the Southern Cross."

Wendy Dio, who has served as the curator of Dio's musical legacy and everything that relates to her late husband's career (including the Ronnie James Dio hologram tour), says: "I am very excited to be working with BMG, a label that still has a passion for rock music. They will be making the complete DIO catalog available again with some interesting surprises."

Following the extremely warm reception given his self-named band's well-deserving debut album, Holy Diver, Ronnie James Dio figured there was no point in messing with a winning formula, and decided to play it safe with 1984's sophomore effort, The Last in Line – with distinctly mixed results. Although technically cut from the same cloth as those first album nuggets, fist-pumping new songs like "We Rock," and "I Speed at Night" curiously went from good to tiresome after just a few spins (a sign that the songwriting clichés were starting to pile up…read on); and the otherwise awesome, seven-minute epic, "Egypt (The Chains Are On)," inexplicably lost it's strikingly sinister main riff halfway through, in what sounds like a mastering snafu of some kind.

Ronnie James Dio is one of the most beloved figures in rock history. His gifts, both as a singer and songwriter, are instantly recognizable, whether he was with Rainbow, Black Sabbath, Heaven & Hell, or leading Dio. Sadly, Dio lost his battle with stomach cancer in 2010, but his towering voice and legacy live on. To celebrate one of rock’s most powerful voices, an all-star group of his friends and fans recorded 13 of their favorite tracks for a tribute album that will raise funds for the Ronnie James Dio Stand Up and Shout Cancer Fund (diocancerfund.org). Produced by his longtime manager and wife Wendy Dio, the album includes contributions by such metal heavyweights as Metallica, Motörhead, Scorpions,Anthrax, and Rob Halford, as well as appearances by many of the musicians who performed with Dio over the years.

Sacred Heart is Dio's third studio album. It was released in August 15, 1985 on Warner Bros. Records. The record peaked at No. 29 on the Billboard 200 chart. It is one of Dio's most well-known albums, and includes singles such as "Sacred Heart", "Rock 'n' Roll Children" and "Hungry for Heaven".