Ghali Niente Panico

Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World…

Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World. Unless lyrics sung in a language other than English is aggravating to you, by all means prefer the original version. Like for Banco del Mutuo Soccorso and Le Orme, the music of PFM is impregnated with the lyricism of the Italian language. The most confusing of the group's first three LPs, L'Isola di Niente (The Island of Nothing) sees the group pushing its music to a new level of complexity, while giving a first hint at their later jazz-rock orientation. ..

Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World. Unless lyrics sung in a language other than English is aggravating to you, by all means prefer the original version. Like for Banco del Mutuo Soccorso and Le Orme, the music of PFM is impregnated with the lyricism of the Italian language. The most confusing of the group's first three LPs, L'Isola di Niente (The Island of Nothing) sees the group pushing its music to a new level of complexity, while giving a first hint at their later jazz-rock orientation. ..

Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World. Unless lyrics sung in a language other than English is aggravating to you, by all means prefer the original version. Like for Banco del Mutuo Soccorso and Le Orme, the music of PFM is impregnated with the lyricism of the Italian language. The most confusing of the group's first three LPs, L'Isola di Niente (The Island of Nothing) sees the group pushing its music to a new level of complexity, while giving a first hint at their later jazz-rock orientation. ..

Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World. Unless lyrics sung in a language other than English is aggravating to you, by all means prefer the original version. Like for Banco del Mutuo Soccorso and Le Orme, the music of PFM is impregnated with the lyricism of the Italian language. The most confusing of the group's first three LPs, L'Isola di Niente (The Island of Nothing) sees the group pushing its music to a new level of complexity, while giving a first hint at their later jazz-rock orientation. ..

“La vie de star” is an album written and composed by Hanaa Ouassim. Sung entirely in Darija (the Moroccan dialect), the record gives pride of place to pop, raï, and electronic inspirations, with a constantly transformed folk music in the background. Her songs talk about the price of freedom, the big departure, the coast, and escaping one's destiny. She was the opening act for the creation of the Transmusicales de Rennes and played as the opening act for Flavien Berger and Zaho de Sagazan.

“La vie de star” is an album written and composed by Hanaa Ouassim. Sung entirely in Darija (the Moroccan dialect), the record gives pride of place to pop, raï, and electronic inspirations, with a constantly transformed folk music in the background. Her songs talk about the price of freedom, the big departure, the coast, and escaping one's destiny. She was the opening act for the creation of the Transmusicales de Rennes and played as the opening act for Flavien Berger and Zaho de Sagazan.