Spanning one of the few transitional periods for the Modern Jazz Quartet when Connie Kay replaced Kenny Clarke as the group's drummer, The Artistry of the Modern Jazz Quartet covers the years from 1952-1955. By this point in the group's career, John Lewis was largely overseeing the quartet's repertoire, penning the bulk of the original material. Indeed, on The Artistry Of, the pianist contributes six compositions to Milt Jackson's one (the excellent "Ralph's New Blues"). The set is balanced out by renditions of the most common of jazz standards in "Almost Like Falling in Love," "I'll Remember April," and "In a Sentimental Mood," and the work of more contemporary artists like Dizzy Gillespie and Sonny Rollins…
The legendary Four Brothers reed section of Woody Herman's famous "Second Herd" big band of 1947, (Herbie Steward, Zoot Sims, Stan Getz and Serge Chaloff) is reimagined and reinvigorated by jazz icons Harry Allen, Eric Alexander, Grant Stewart and Gary Smulyan on the exciting, swinging and audacious recording of The Candy Men by Harry Allen's All Star New York Saxophone Band. Offering a sensational set of twelve bop-infused tunes containing some hard-driving, mid-tempo swing pieces to breathy and bossa-styled ballads, one sampling of this disc is just not enough. The material and the musicianship is so outstanding, that the late, great bandleader Woody Herman himself, would be proud of the way this group of jazz icons, has so elegantly represented the original Brothers section.
Dave Stewart and The Spiritual Cowboys was an English band, formed in 1990 after frontman David A. Stewart's departure from Eurythmics. Chris Bostock from JoBoxers, Jonathan Perkins, Olle Romo and Nan Vernon were later joined by Martin Chambers from The Pretenders and John Turnbull from Ian Dury and The Blockheads. They made two albums: the self titled Dave Stewart and the Spiritual Cowboys and Honest. Their live stage act is characterized by spiritual icons and a unique double drum kit played by two drummers. This collection includes the following singles: "Jack Talking" (1990), "Love Shines" (1990), "Party Town" (1990), "Crown Of Madness" (1991), "On Fire" (1991) and " Out Of Reach "(1991).
Never mind the Symphonie espagnole and Le roi d’Ys, Edouard Lalo is the last of the great unknowns in 19th-century French music. His mature instrumental works combine the wisdom drawn from his professional playing experience with the familiar flair for rhythm and colour. They are likely to transform any opinion you may hold: it isn’t often that the inspiration of Beethoven was so well digested in France. The first two trios don’t really count as mature, and although they contain fine things, especially in the scherzos, their characteristic soul, sweep and dash are often clumsily handled. With No. 3, form and feeling are as one, the first movement’s surges integral to its progress to a hushed end, while the slow movement builds a powerful span from a sustained melody. Between them comes the irresistible piece better known in Lalo’s later arrangement as a Scherzo for orchestra. These performances have the necessary robustness without stinting on delicacy.