The first collection of new studio music from the relentlessly inventive New Orleans funk-jam unit since 2012's Carnivale Electricos, Into the Deep arrives after a well-received trio of Mardi Gras-centric outings. As per usual, Galactic is joined by an all-star roster of guests, including Macy Gray, Mavis Staples, JJ Grey, Ryan Montbleau, David Shaw of the Revivalists, Maggie Koerner, Brushy One String, and Charm Taylor, and while they may have ostensibly left Fat Tuesday behind, they certainly haven't abandoned their penchant for second-line swagger, as evidenced by the parade route-ready, brass-and-drum-led opener "Sugar Doosie," which wastes little time getting the party started.
In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?
In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?
For sci-fi lovers the world over, Douglas Adams' The Hitchhiker's Guide to the Galaxy is sacred text, so it comes as no surprise that its arrival on celluloid has been met with considerably furrowed brows, especially in the wake of its author's death – Adams suffered a fatal heart attack in 2001 in the midst of writing the screenplay. However, if the film's gloriously skewed and occasionally beautiful soundtrack is any indication, the Guide is in good hands. Director Garth Jennings tapped the considerable talents of award-winning U.K. composer/arranger and Divine Comedy member Jobi Talbot to swing the baton, and his reverence for the source material is evident from the very first note. Using Stephen Fry's wry summary of marine life's misunderstood intelligence to set the stage, Talbot unleashes – along with a chorus that includes a bawdy choir, a little girl, and an opera singer – "So Long & Thanks for All the Fish," a rousing, Broadway-style farewell to the planet (and its befuddled citizens) that's equal parts Rocky Horror and Monty Python. Mischief and Creativity are the muses here, as Talbot makes the "Destruction of Earth" sound both terrifying and irreverent – it launches into the banjo-led "Journey of the Sorcerer" that sounds like an updated version of "Classical Gas" – before introducing "The Hitchhiker's Guide to the Galaxy" in a swirl of electronic melodiousness.