Galuppi Baldassare L’olimpiade

Andrea Marcon, Venice Baroque Orchestra - Baldassare Galuppi: L’Olimpiade (2008)

Andrea Marcon, Venice Baroque Orchestra - Baldassare Galuppi: L’Olimpiade (2008)
NTSC 16:9 (720x480) | Italiano | LinearPCM, 2 ch | Dolby AC3, 6 ch | 7.79+3.62 Gb (DVD9+DVD5) | 210 min
Classical | Label: Dynamic | Sub: Italiano, English, Francais, Deutsch, Espanol

This production was recorded at the Teatro Malibran of La Fenice in Venice in occasion of the celebrations for the 3rd centenary of Galuppi’s birth. This is the first performance in modern times, and a World Premiere recording on DVD. The Orchestra Barocca di Venezia, conducted by baroque expert Andrea Marcon plays on original instruments from the 18th century. Olimpiade, was written for the opening of the carnival season of Milan’s Teatro Ducale on December 26, 1747. The only available score was kept in Milan, but it was not complete; maybe this explains why the opera was not staged again, even though it collected a huge success. Conductor Andrea Marcon, together with musicologist Claire Genewein had to look for the score’s incomplete parts. Finally the symphony of the opening was found in Regensburg’s library, whereas the final part was found in London.
Markellos Chryssicos, Venice Baroque Orchestra - L' Olimpiade: The Opera (2012)

Markellos Chryssicos, Venice Baroque Orchestra - L' Olimpiade: The Opera (2012)
EAC | FLAC | Image (Cue & Log) ~ 540 Mb | Total time: 65:55+57:16 | Scans included
Classical | Label: Naïve | # V 5295 | Recorded: 2011

The Venice Baroque Orchestra and a fine line-up of singers present a pasticcio setting of a libretto by Metastasio, with contributions from composers including Caldara, Vivaldi, Galuppi, Hasse and Paisiello. In the eighteenth century, 1,300 years after the last Olympic Games in ancient times, the Olympic theme was highly fashionable. Many composers based operas on the libretto L'Olimpiade by Metastasio. This recording has been structured to contain all of Metastasio’s original arias; it is a pasticcio in the sense that the music is by 16 different composers amongst the many that set the libretto between 1733 and the end of the century.