The Chantilly codex is the most sumptuous of the manuscripts transmitting the fascinating polyphonic songs of the late fourteenth-century France in a style known as the “ars subtilior”, the “more subtle art.” In the songs of this period,composers exerted themselves to express ever more complex rhythms, inventing new notational symbols to express them. The expression of the musical rhythm through notation was such a hot-button issue that a number of songs in the manuscript actually take it on as a topic, becoming self-referential essays about musical composition. In addition, the composers of this music worked in the great courts of Europe, and politics and political events invariably made their way into the song repertory.
British heavy metal legends Saxon unleash Let Me Feel Your Power, their 10th live album. The 16 track album was recorded in Munich during November 2015 and Brighton in January 2016, with bonus materials from Chicago in September 2015…
Wilhelm Friedemann Bach was Director of Music in Halle from 1746 to 1764. This position was in many respects similar to that of Johann Sebastian Bach’s in Leipzig. Certainly, in performing his duties Friedemann Bach largely followed the example of his father – whether in matters of organ playing, choice of repertoire or making demands of the musicians. W. F. Bach was required to perform a cantata every third week and also on all feast days. The cantatas and Mass compositions performed here for the first time are works from this era – outstanding artistic contributions to the genre of the church cantata after J. S. Bach. Under the direction of Jürgen Ochs the eight singers of the Rastatter Hofkapelle perform both the choral as well as solo passages.
One of rock n roll s most venerated guitar Gods, Uli Jon Roth, will be releasing a very special live performance from the Nakano Sun Plaza Hall in Tokyo, Japan on December 2nd 2016 through UDR Music, titled Tokyo Tapes Revisited - Live In Japan. The performance is a celebration of Roth s classic work with Scorpions, and was recorded on February 20th 2015 at the same venue as the band s classic 1978 live album Tokyo Tapes…
In 2010 the world is celebrating the 300th anniversary of the birth of Wilhelm Friedemann Bach, whose music – for the most disparate reasons – was for a long time shrouded in oblivion. Many of his works disappeared completely after the Second World War, and it was not until 1999 that they were rediscovered in Kiev. The present world-première recording of four of his cantatas grants us a fascinating insight into the composer’s output and invites us to join him on a musical voyage of discovery. These ambitious works, which were written for Christmas and Ascension, attest to the technical and musical virtuosity of Johann Sebastian Bach’s eldest son.
This is a comprehensive collection with countless pivotal sessions. It features 203 separate recordings on seven CDs and collects both the sessions led by Chu Berry and other sessions where he contributed significantly as a sideman. You can study his remarkable surefootedness as a soloist; remember an era where evolution in the music was running rampant and Chu Berry's tenor saxophone was one of the things making it run.