Mystical voices and the sounds of Gamelan recorded in Bali create ambient sounds that invite you deep into the world where the gods reside. This music has the power to add color to empty space; it is pure relaxation music with an Asian theme. Soft Asian music has a warm resonance that recalls gentleness. Immerse yourself in this heartfelt music, quietly let go of the self, and refresh your soul. When you listen to this music, you will feel palm trees nodding in the wind, white sands, blue skies & seas, and time quietly passing.
The Serbian sisters Lidija and Sanja Bizjak have achieved worldwide praise for their performances alike (‘brilliant sound, precise fingerwork and excellent listening skills’ – The Independent). For their debut recording on Onyx, they have created a superb programme consisting of two concertos for two pianos and orchestra by Poulenc & Martinu° to frame two works for two pianos alone – Stravinsky’s Sonata and Shostakovich’s rarely heard Concertino.
French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”
The composer, pianist, and conductor Gerard Schurmann (1924 – 2020) was born in Kertosono, Java, which was then part of the Dutch East Indies. The family lived within earshot of the resident gamelan orchestras at the Sultan’s Palace, and hearing the pentatonic scales and intricate rhythms of this traditional Indonesian music made a lasting impression on the young Gerard. During the 1950s and 1960s, Schurmann was best known for his film scores, particularly The Long Arm (1956; CHAN 10979) and Horrors of the Black Museum (1959; CHAN 10979). Man in the Sky is a Concert Overture derived from Schurmann’s score for the eponymous film.
A native of Mexico, where as a young man he encountered and became friends with American marverick Conlon Nancarrow, Ernesto Martinez has been sculpting remarkably original polyrhythmic compositions for well over a decade. Inspired equally by Balinese Gamelan techniques, the player piano masterworks of Nancarrow, and Mexican folk traditions, Ernesto Martinez and his group Micro-ritmia blends complex and virtuosic hocketing techniques, meticulously performed on a combination of piano, marimba and altered guitars, with a striking sense of drama. Tzadik is proud to present the first recordings outside Mexico of this iconoclastic composer.