Garden Stones

Storyteller is the first new studio album in over five years from Norwegian/Irish duo Secret Garden.
On the day of release (26 April 2019), Fionnuala Sherry and Rolf Løvland have this to say in their newsletter:
“Even though we had great success and response to our “Just the Two of US” album (one of our favourites ), “Live at Kilden” and “You Raise Me Up: The Collection”; “Storyteller” is very special and means so much to us both. From the initial concept of the album to the final mix, its been a truly wonderful journey of writing, arranging, recording, producing and working with some of the most wonderful incredible artists including the incredible Czech National Symphony Orchestra. We have traveled between Norway, Ireland, the UK and the Czech Republic to produce “Storyteller”…

On their second album, duo Secret Garden play with the conventions of Celtic and neo-classical music, weaving in unexpected elements like Spanish guitars and Eastern European folk melodies as their muse dictates. Norwegian pianist Rolf Lovland composes striking instrumentals for which Fionnuala Sherry's violin supplies the lead voice. Just about every song here features a lavish orchestral arrangement, but it's Sherry's violin that speaks loudest and touches the heart most tenderly. Her fluid, emotive technique shines on tracks like "Appassionata," and is made all the more admirable knowing that she was recovering from serious injuries and in great physical pain during the recording sessions.
The overall mood is weighty, heart-centered, providing a supportive background for personal reflection…

On their second album, duo Secret Garden play with the conventions of Celtic and neo-classical music, weaving in unexpected elements like Spanish guitars and Eastern European folk melodies as their muse dictates. Norwegian pianist Rolf Lovland composes striking instrumentals for which Fionnuala Sherry's violin supplies the lead voice. Just about every song here features a lavish orchestral arrangement, but it's Sherry's violin that speaks loudest and touches the heart most tenderly. Her fluid, emotive technique shines on tracks like "Appassionata," and is made all the more admirable knowing that she was recovering from serious injuries and in great physical pain during the recording sessions.
The overall mood is weighty, heart-centered, providing a supportive background for personal reflection…

The global phenomenon of Secret Garden has been so far reaching that it's hard to believe the duo of Norwegian keyboardist/composer Rolf Lovland and Irish violinist Fionnuala Sherry have only recorded three previous studio albums in addition to their 2001 compilation, Dreamcatcher. Once in a Red Moon continues Secret Garden's tradition of organic storytelling melodies and straight-from-the-heart performances with a wink back to the innocence and raw simplicity of their debut. Lovland and Sherry felt that their second and third recordings, White Stones (1997) and Dawn of a New Century (1999), were conceived as larger-scale projects which would help build the scope of their live performance presentation…

According to pianist Rolf Løvland, Irish-Norwegian neo-classical duo Secret Garden's seventh studio album, Winter Poem, was inspired by the "darkness that surrounds the Scandinavian winter." While there's a genuine sense of melancholy laced throughout its largely instrumental 11 tracks, fans of their luscious new age sound needn't fear a new gothic reinvention, as there's very little here likely to find its way onto a horror movie soundtrack. Indeed, the stately piano chords and sweeping string arrangements (courtesy of the Czech National Symphony Orchestra) of opener "Make a Wish" feel more suited to a Downton Abbey-esque costume drama, while elsewhere the lilting "Anticipation" recalls the emotive ivory-tinkling of Ludovico Einaudi's understated scores, the more uptempo "Fionnuala's Cookie Jar" is a highly percussive Irish jig packed with Celtic fiddles and tin whistles…

Lush, gorgeous, colorful and moving would be only be a few of the many adjectives that would still not describe the full wonders of the Garden of Eden. But these would accurately describe this album from pianist Rolf Lovland and violinist Fionnula Sherry better known to us as Secret Garden. Filled with classically influenced melancholy melodies that we have come to expect from this musical couple, the album also includes uplifting Celtic jigs, the occasional stirring vocal rendition, and even a hymn of praise to close the album out in grand and graceful style.

Secret Garden's formula is plain to hear. They have the lush string orchestrations of Yanni, the layered vocals of Clannad and Enya, and the stage-show Celtica of Riverdance. In the past these elements have weighed down the music of Irish violinist Fionuala Sherry and Norwegian keyboardist Rolf Lovland with a sweetness that would make tiramisu taste like poi. On Dawn of a New Century, they finally dance closer to the line that divides schlock from serenity, beauty from the banal. Capercaillie singer Karen Matheson gives a haunting vocal performance on "Prayer," surrounded by Clannad-like harmonies. "Children of the River" is a cinematic expanse with Asian overtones, while "Lore of the Loom" swoops through orchestral landscapes that could be Ireland or Norway. But there's also the hokey faux-Baroque of "Divertimento" and the title piece, which could stand in for "I'd Like to Teach the World to Sing."

The Rolling Stones’ 1981 tour was the biggest rock and roll event of the year. The size of the production, the length and the pubulicity surrounding it were unprecedented. They played in the biggest arenas, sometimes for multiple nights, and orchestrated a media blitz which saw them appear on television somewhere in the world at least once a week on local stations, syndicated shows like Rona Barrett’s new news program “Inside & Out” and on cable television with several appearances on the brand new channel MTV. The big tour finale was the pay-per-view broadcast by satellite on the final night…