Gary Burton’s Passengers has it all: its frontman’s incomparable mallets, Dan Gottlieb keeping the beat, the unmistakable bass of Eberhard Weber paired with the equally unique stylings of Steve Swallow, the fluid fingers of guitarist Pat Metheny (who would soon go on to front his own super group with Weber and Gottlieb), and the all-important bow of ECM’s attentive production. Not enough to whet your appetite? All the more reason to buy it.
Jazz tribute albums are a dime a dozen. Often comprising familiar, oft-recorded material, many seem indistinct. Not so Hommage à Eberhard Weber, recorded live in January of 2015 on the occasion of the bassist/composer's 75th birthday. It features a host of collaborators and friends with the SWR Big Band under the direction of Helge Sunde. With the exception of Pat Metheny's suite-like composition "Hommage," everything was written by Weber, who is esteemed for his technique and custom-built instruments and as one of the architects of "the ECM sound." He has been unable to play since suffering a debilitating stroke in 2007. Thanks to technology, he is virtually present on two of these performances…
In addition to his longtime bassist Steve Swallow and drummer Martin Richards, vibraphonist Gary Burton features a couple of young players on this date who he would classify as "whiz kids": pianist Makoto Ozone and the Coltrane-inspired tenorman Tommy Smith. The repertoire (all obscurities) and post-bop solos have more fire than one would normally expect on a Gary Burton record, and there are plenty of colorful moments on this subtle but adventurous set, Burton's final date for ECM after 14 years.
Burton plays the vibroharp with superb delicacy which tops off the spirals of harmonic sound. Each track shifts in mood seamlessly from the one before - with writing credits to Goodrick, Mike Gibbs and Carla Bley before an interpretation of Weber's Colours of Chloe rounds off the record.An all time favourite jazz record, for a quieter mood. A classic ECM release.