Gefangene Liebe

The original 1805 version of Beethoven's only opera is a high-adrenaline experience in the hands of the Belgian conductor and his period-instrument band, with Marlis Petersen in the title-role and Maximilian Schmitt as her imprisoned husband. From Leonore (1805) to Fidelio (1814) there were three successive versions of Beethoven’s opera, only the last of which has been in the repertory since the 19th Century. Going against tradition, René Jacobs has chosen to revive the earliest version, reworking the librettos and the spoken dialogue: a genuine tour de force, this still unknown Leonore forms an incomparable musical and dramatic structure requiring exemplary mastery on the part of both orchestra and singers. This landmark recording proves its case in every respect.

Johann Christian Bach, the only member of his family to have had any career in the opera house, began writing for the stage in Italy, continued in London and Mannherm and ended in Paris. This work is the last of his operas, written in 1779 to a revision of the libretto by Quinault that Lully had set almost a century before. It was not a success; there were only seven performances and it was never revived. One can, I think, see some of the reasons why it failed to please the French audiences at the time of the Gluck/Piccinni controversies, but there is nevertheless some superlative music here which certainly affects our view of J. C. Bach, whom we tend to regard above all as an elegant, galant composer of courtly, Italianate QG symphonies and chamber music.

This 31 CD box set is being released to celebrate what would have been her 100th birthday in December 2015. The set contains all the recital programmes of song, opera and operetta tha t she recorded for EMI between 1952 and 1974, and also included two live recitals. All the recordings have been newly remasteredto the highest standards by various studios including Abbey Road. A reigning soprano of her era, Elisabeth Schwarzkopf (1915-2006) remains renowned for her vocal beauty and elegance and for her acute interpretative insight – above all in the music of Mozart, Wolf and Strauss.

The set includes 17th and 18th century arias and songs from England by Purcell, Handel and Green, French art-songs by Debussy and Fauré, as well as canciones by Spanish composers including Enrique Granados and Joaquín Turina.

This 31 CD box set is being released to celebrate what would have been her 100th birthday in December 2015. The set contains all the recital programmes of song, opera and operetta tha t she recorded for EMI between 1952 and 1974, and also included two live recitals.
All the recordings have been newly remasteredto the highest standards by various studios including Abbey Road.