Gennari Rinaldo

Adriana Gennari - Sobre a Cor das Harmonias - Adriana Gennari Convida Pó de Café (2023)

Adriana Gennari - Sobre a Cor das Harmonias - Adriana Gennari Convida Pó de Café (2023)
WEB FLAC (Tracks) 278 MB | Cover | 45:45 | MP3 CBR 320 kbps | 105 MB
Vocal Jazz | Label: Adriana Gennari [dist. Tratore]

Mais novo álbum da cantora carioca radicada em Araraquara Adriana Gennari, “Sobre a cor das harmonias”, começa, aos poucos, a cair no gosto do público com o lançamento de duas canções do material: “Crio” (com participação do cantor André de Souza) e “Riso de Cupido”.

Rinaldo Alessandrini - Stradella Mottetti (2024)  Music

Posted by ciklon5 at June 20, 2024
Rinaldo Alessandrini - Stradella Mottetti (2024)

Rinaldo Alessandrini - Stradella Mottetti (2024)
FLAC (tracks), Lossless | 1:14:18 | 374 Mb
Genre: Classical

Conductor and harpsichordist Rinaldo Alessandrini is an innovative interpreter of Italian Baroque opera and instrumental music. As the director of his own ensemble, Concerto Italiano, he has brought dramatic, opera-influenced readings to a variety of Baroque works from Italy and beyond. Alessandrini was born in Rome on January 25, 1960. He was relatively late in beginning his musical studies, taking up the piano at age 14. Four years later, he discovered the harpsichord and traveled to the Netherlands for lessons with Ton Koopman at the Sweelinck Conservatory in Amsterdam. He was soon giving concerts on the harpsichord. Alessandrini founded Concerto Italiano in 1984.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)
FLAC (tracks) 24bit-96kHz - 1.1 GB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)
FLAC (tracks) 24bit-96kHz - 1.1 GB
58:00 | Classical | Label: Naive

Neben der für zwei Oboen, Fagott, Streicher und Bc arrangierten Ouvertüre im französischen Stil BWV 831 (im Bach'schen Original für Cembalo) erklingen hier zwei vom Cembalisten und Dirigenten Rinaldo Alessandrini zusammengestellte Suiten nach Klavierwerken Johann Sebastian Bachs. Dargeboten wird das alles sehr lebendig und einfühlsam von den Musikern des Concerto Italiano. Und auch hier gilt: Ob Originalwerke, Transkriptionen oder Bearbeitungen, ob aus der Zeit des Kantors oder später, ob von Bach oder anderen: Es spielt keine Rolle. Alle Wege führen zu Bach, zu seiner Essenz.
Enrico Gatti & Rinaldo Alessandrini - Cross-dressing Bach: (2018) [Official Digital Download 24/96]

Enrico Gatti & Rinaldo Alessandrini - Cross-dressing Bach: Chamber Rarities & Alternative Versions (2018)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 68:54 minutes | 1,35 GB
Classical | Label: Glossa Music, Official Digital Download

The musical partnership of violinist Enrico Gatti and harpsichordist Rinaldo Alessandrini now goes back a number of decades to when this pair of Italians, both with a voracious appetite for early music, were setting out on their careers. The years pass and both artists make fabulous recordings, often directing their own ensembles.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)
FLAC (tracks, digital booklet) 24bit-96kHz - 1.1 GB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
WEB FLAC (tracks) - 328 MB | MP3 CBR 320 kbps - 135 MB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
WEB FLAC (tracks) - 328 MB | MP3 CBR 320 kbps - 135 MB
58:00 | Classical | Label: Naive

Neben der für zwei Oboen, Fagott, Streicher und Bc arrangierten Ouvertüre im französischen Stil BWV 831 (im Bach'schen Original für Cembalo) erklingen hier zwei vom Cembalisten und Dirigenten Rinaldo Alessandrini zusammengestellte Suiten nach Klavierwerken Johann Sebastian Bachs. Dargeboten wird das alles sehr lebendig und einfühlsam von den Musikern des Concerto Italiano. Und auch hier gilt: Ob Originalwerke, Transkriptionen oder Bearbeitungen, ob aus der Zeit des Kantors oder später, ob von Bach oder anderen: Es spielt keine Rolle. Alle Wege führen zu Bach, zu seiner Essenz.
Rinaldo Alessandrini, Fabio Biondi - Giovanni Battista Pergolesi: Stabat Mater, Salve Regina, Messa di S. Emidio (2010)

Rinaldo Alessandrini, Fabio Biondi - Pergolesi: Stabat Mater, Salve Regina, Messa di S. Emidio; A.Scarlatti: Stabat Mater, Messa per il Santissimo Natale; Leo: Salve Regina (2010)
EAC | FLAC | Image (Cue & Log) ~ 884 Mb | Total time: 79:39+58:39+58:00 | Scans included
Classical | Label: Naïve | # OP 30507 | Recorded: 1995, 1998, 2008

The legendary Italian composer Giovanni Battista Pergolesi was born 300 years ago, in 1710. To mark the anniversary, Naïve re-issues three renowned recordings to feature his choral music, in a specially-priced box set, headed by the Gramophone award-winning version of his Stabat Mater by Rinaldo Alessandrini and Concerto Italiano, considered one of the best ever recorded.
Rinaldo Alessandrini, Concerto Italiano - Giovanni Battista Pergolesi, Alessandro Scarlatti: Stabat Mater (2004)

Rinaldo Alessandrini, Concerto Italiano - Giovanni Battista Pergolesi, Alessandro Scarlatti: Stabat Mater (2004)
EAC | FLAC | Image (Cue & Log) ~ 331 Mb | Total time: 79:39 | Scans included
Classical | Label: Naïve | # OP 30406 | Recorded: 1998

Pergolesi's legendary Stabat Mater for solo soprano and alto acquired its mystique early on: not only does it boast striking melodies and harmonies, but the composer finished it just days before dying of tuberculosis at age 26. That irresistibly mythic circumstance, combined with the sacred nature of the text, led to an air of reverence that has surrounded the work for two centuries. It's this reverence that Rinaldo Alessandrini means to strip away, showing us the very theatrical style in which Pergolesi actually wrote. Using only six period string instruments rather than the customary small orchestra, Alessandrini directs a remarkable performance: the very quick or very slow tempos, sudden accents, and dynamic extremes are often surprising but always credible.