Gennari Rinaldo

Adriana Gennari - Sobre a Cor das Harmonias - Adriana Gennari Convida Pó de Café (2023)

Adriana Gennari - Sobre a Cor das Harmonias - Adriana Gennari Convida Pó de Café (2023)
WEB FLAC (Tracks) 278 MB | Cover | 45:45 | MP3 CBR 320 kbps | 105 MB
Vocal Jazz | Label: Adriana Gennari [dist. Tratore]

Mais novo álbum da cantora carioca radicada em Araraquara Adriana Gennari, “Sobre a cor das harmonias”, começa, aos poucos, a cair no gosto do público com o lançamento de duas canções do material: “Crio” (com participação do cantor André de Souza) e “Riso de Cupido”.

Rinaldo Alessandrini - Stradella Mottetti (2024)  Music

Posted by ciklon5 at June 20, 2024
Rinaldo Alessandrini - Stradella Mottetti (2024)

Rinaldo Alessandrini - Stradella Mottetti (2024)
FLAC (tracks), Lossless | 1:14:18 | 374 Mb
Genre: Classical

Conductor and harpsichordist Rinaldo Alessandrini is an innovative interpreter of Italian Baroque opera and instrumental music. As the director of his own ensemble, Concerto Italiano, he has brought dramatic, opera-influenced readings to a variety of Baroque works from Italy and beyond. Alessandrini was born in Rome on January 25, 1960. He was relatively late in beginning his musical studies, taking up the piano at age 14. Four years later, he discovered the harpsichord and traveled to the Netherlands for lessons with Ton Koopman at the Sweelinck Conservatory in Amsterdam. He was soon giving concerts on the harpsichord. Alessandrini founded Concerto Italiano in 1984.

Rinaldo Alessandrini - Stradella Mottetti (2024)  Music

Posted by ciklon5 at June 20, 2024
Rinaldo Alessandrini - Stradella Mottetti (2024)

Rinaldo Alessandrini - Stradella Mottetti (2024)
FLAC (tracks), Lossless | 1:14:18 | 374 Mb
Genre: Classical

Conductor and harpsichordist Rinaldo Alessandrini is an innovative interpreter of Italian Baroque opera and instrumental music. As the director of his own ensemble, Concerto Italiano, he has brought dramatic, opera-influenced readings to a variety of Baroque works from Italy and beyond. Alessandrini was born in Rome on January 25, 1960. He was relatively late in beginning his musical studies, taking up the piano at age 14. Four years later, he discovered the harpsichord and traveled to the Netherlands for lessons with Ton Koopman at the Sweelinck Conservatory in Amsterdam. He was soon giving concerts on the harpsichord. Alessandrini founded Concerto Italiano in 1984.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)
FLAC (tracks, digital booklet) 24bit-96kHz - 1.1 GB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024) (Hi-Res)
FLAC (tracks, digital booklet) 24bit-96kHz - 1.1 GB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
WEB FLAC (tracks, digital booklet) - 328 MB | MP3 CBR 320 kbps - 135 MB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)

Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
WEB FLAC (tracks, digital booklet) - 328 MB | MP3 CBR 320 kbps - 135 MB
58:00 | Classical | Label: Naive

Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.
Enrico Gatti & Rinaldo Alessandrini - Cross-dressing Bach: Chamber Rarities & Alternative Versions (2018)

Enrico Gatti & Rinaldo Alessandrini - Cross-dressing Bach: Chamber Rarities & Alternative Versions (2018)
WEB FLAC (tracks) - 396 Mb | MP3 CBR 320 kbps - 159 Mb | Digital booklet | 01:08:54
Classical | Label: Glossa Music

The musical partnership of violinist Enrico Gatti and harpsichordist Rinaldo Alessandrini now goes back a number of decades to when this pair of Italians, both with a voracious appetite for early music, were setting out on their careers. The years pass and both artists make fabulous recordings, often directing their own ensembles.
Boris Begelman, Rinaldo Alessandrini & Concerto Italiano - Vivaldi: Concerti per violino IX "Le nuove vie" (2021)

Boris Begelman, Rinaldo Alessandrini & Concerto Italiano - Vivaldi: Concerti per violino IX "Le nuove vie" (2021)
WEB FLAC (tracks) - 393 Mb | MP3 CBR 320 kbps - 180 Mb | Digital booklet | 01:13:16
Classical | Label: naïve

Boris Begelman, the highly acclaimed leader of Concerto Italiano, frequently takes on the role of soloist in the many concerts that Rinaldo Alessandrini’s celebrated orchestra devotes to the music of Vivaldi and his contemporaries. High time then for Begelman to take centre stage in one of the Vivaldi Edition’s solo violin recordings. This ninth concerto volume sees the welcome return of Rinaldo Alessandrini’s ensemble, which already features in thirteen albums of the Vivaldi collection. In this purely instrumental repertoire they excel as much as they do in vocal music, deploying generously sweeping melodic lines, inspired dynamics, and a musical language already mastered to perfection yet always interpreted anew.
Enrico Gatti & Rinaldo Alessandrini - Cross-dressing Bach: (2018) [Official Digital Download 24/96]

Enrico Gatti & Rinaldo Alessandrini - Cross-dressing Bach: Chamber Rarities & Alternative Versions (2018)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 68:54 minutes | 1,35 GB
Classical | Label: Glossa Music, Official Digital Download

The musical partnership of violinist Enrico Gatti and harpsichordist Rinaldo Alessandrini now goes back a number of decades to when this pair of Italians, both with a voracious appetite for early music, were setting out on their careers. The years pass and both artists make fabulous recordings, often directing their own ensembles.