Gente Argentina From 27 Mayo 2014 Pdf

Excellent 60 track music compilation. The music on it is a brilliant choice and not a usual 80s Compilation..

Born in Montreal, Quebec, Canada, A Silver Mt. Zion (just one of its many names) came to life in 1999 as a project for Godspeed You! Black Emperor member Efrim Menuck in his attempt to learn to score music. The original idea was pushed aside, and the project would go on to become a group setting, and was more in touch with the idea of the organic growth and exploration of music than the heavily composed and arranged theoretical work of Godspeed. Inspired to record an album of the music that had been made, Menuck built up the first version of A Silver Mt. Zion, taking on violinist Sophie Trudeau and bassist Thierry Amar, both known as collaborators in the Godspeed family. The band made its live debut in 1999 and released its first album, He Has Left Us Alone But Shafts of Light Sometimes Grace the Corner of Our Rooms…, on Constellation in 2000. Still known as A Silver Mt. Zion, the band expanded its membership in 2000 – adding cellist Beckie Foon, guitarist Ian Ilavsky, and violinist Jessica Moss – which led to the first of many name changes.

This 2014 Hyperion collection of 22 hymns sung by the Choir of Westminster Abbey is a straightforward presentation of familiar versions for choir and organ. For the most part, the arrangements are conventional four-part settings, with occasional interpolations of seldom-heard harmonizations and descants, and the performances by the men and boys are appropriately reverent and joyous. The majority of selections are hymns of praise, including Praise, my soul, the king of heaven; Thine be the glory; and Praise to the Lord, the Almighty, though Drop, drop slow tears; I bind unto myself today; and Let all mortal flesh keep silence bring a more somber and penitential mood to the program. The recordings were made in late 2012 and early 2013 in Westminster Abbey, so the sound of the album is typically resonant and spacious, and the choir has a well-blended tone, though the trade-off for the glorious acoustics is a loss of clarity in some of the words.

Italian composer and musician Marco Ragni has been a presence in the Italian music scene for a quarter of a century or thereabouts, and following a couple of decades in various band constellations he decided to venture out as a solo artist a few years back, launching his first solo album back in 2010. "Mother from the Sun" is his fourth studio recording, released towards the end of 2014. To give you an idea, think of the Pink Floyd albums A Saucerful of Secrets, More, Ummagumma, Atom Heart Mother (side two), Meddle, and Obscured By Clouds as major inspirations. Add to this the late sixties California hippy scene and the fact that Marco is Italian, and you have three strong foundations for a unique blend of psychedelic music with folk and funk and classic prog.

There are concessions that must be made on Keith Emerson and Greg Lake’s Live from Manticore Hall, starting with the absence of Carl Palmer - and then the occasional use of loops.
Too, the conversational aspect of the evening certainly works on its first listen, bringing us in with a confidential closeness. (Emerson, in an impish moment, recalls people asking questions about his pre-Emerson Lake and Palmer band: "The Nice what?") But once that context is understood, these lengthy segments quickly become extraneous detours away from what is often a adventurously re-imagined journey through some peak moments for both…

"Tracks from the Alps" is the band's fifth studio album, full of six original tracks, and a great cover of the Genesis Archive 1967-75 rarity, "Going Out to Get You".
With the lineup slightly tweaked with the inclusion of Mattia Rossetti as the new bassist, the band have also tightened up their sound, giving it a somewhat more modern atmosphere whilst retaining the techniques and motifs of classic Genesis and getting back to what they do best - presenting what the pastoral Genesis sound might have ended up like had Genesis themselves never abandoned it.