George Lamsa

Released just after George left Apple for his own Dark Horse label (and appearing in stores just in time for the Christmas season of 1976), The Best of George Harrison neatly splits into a side of Harrison solo hits and a side of his Beatles tunes…

Arriving ten years after The Dark Horse Years: 1976-1992, The Apple Years: 1968-75 offers the first act of George Harrison's solo career presented in a handsomely produced, impeccably remastered box set. The outside packaging mirrors The Dark Horse Years but the discs housed inside the box show a greater attention to detail than the previous set: each of the albums is presented as a paper-sleeve mini-LP replicating the original album art (Extra Texture does indeed have extra texture on its sleeve), while the brief hardcover book contains perhaps the glossiest paper to ever grace a rock music box set…

Born Giacinto Figlia in Palermo, Italy in 1924 the young George Wallington was schooled in opera and the classics by his father and had moved to New York City by 1925. It was hearing Lester Young playing in the Basie band that led to him to get involved in the New York jazz scene where he soon found himself accompanying Billie Holiday at George’s club in Greenwich Village and perhaps more unlikely also playing opposite Liberace in Philadelphia! Wallington was back in New York when Charlie Parker and Dizzy Gillespie set the place on fire with a new sound called Be Bop. Although he had arrived at his style independently he was likened to Bud Powell and he became one of the few white musicians to be invited to play what was essentially a black musical movement…

If a new George Freeman album is always a blessing, then what is a new George Freeman album featuring two world class backing bands? That’s the riddle we’ll need to solve as we spend more time with his newest CD, The Good Life. George is joined on the first half of the album by Joey DeFrancesco and Lewis Nash and on the second half of the disc, by Christian McBride and Carl Allen. These songs, five by George, and two standards (“If I Had You” and “The Good Life”) are all beautifully played, with George’s brilliant tone and musical ideas front and center on “Mr. D” (George’s tribute to Joey DeFrancesco). “1,2,3,4” has a Chicago to New Orleans groove happening that is slick and fun, and that tone with Christian McBride’s big bass notes? That’s a good time, indeed.

Teaming with legendary Beatles obsessive Jeff Lynne, George Harrison crafted a remarkably consistent and polished comeback effort with Cloud Nine. Lynne adds a glossy production, reminiscent of ELO, but what is even more noticeable is that he's reined in Harrison's indulgences, keeping the focus on a set of 11 snappy pop/rock numbers. The consistency of the songs remains uneven, but the best moments – "Devil's Radio," "Cloud 9," "Just for Today," "Got My Mind Set on You," and the tongue-in-cheek Beatles pastiche "When We Was Fab" – make Cloud Nine one of his very best albums.

Simply one of the greatest guitarists in jazz history, George Benson is an amazingly versatile musician, whose adept skills find him crossing easily between straight-ahead jazz, smooth jazz, and contemporary R&B. Blessed with supreme taste, a beautiful, rounded guitar tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing, Benson's inspirations may have been Charlie Christian and Wes Montgomery, but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format.