George Szell, The Cleveland Orchestra Mozart* – Symphonies Nos. 39 & 40 Exsultate, Jubilate

Royal Concertgebouw Orchestra & Karl Böhm - Mozart: Symphonies Nos. 39-41 (Remastered) (2021) [Official Digital Download 24/48]

Royal Concertgebouw Orchestra & Karl Böhm - Mozart: Symphonies Nos. 39-41 (Remastered) (2021)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 77:06 minutes | 780 MB
Classical | Label: Archipel, Official Digital Download

Mozart composed some fifty symphonies, if we include works he adapted from opera overtures or serenades by adding movements or taking them away. The first dates from 1764-5, at the time of his childhood visit to London, and most are early works, quite short. Many are associated with his boyhood travels (his first trip to Italy in 1769-71, for instance) but his most prolific period as a symphonist was between 1771 and 1774 when, in Salzburg, he wrote no fewer than seventeen.
Royal Concertgebouw Orchestra & Karl Böhm - Mozart: Symphonies Nos. 39-41 (Remastered) (2021)

Royal Concertgebouw Orchestra & Karl Böhm - Mozart: Symphonies Nos. 39-41 (Remastered) (2021)
WEB FLAC (tracks) - 339 Mb | MP3 CBR 320 kbps - 178 Mb | 01:17:06
Classical | Label: Archipel

Mozart composed some fifty symphonies, if we include works he adapted from opera overtures or serenades by adding movements or taking them away. The first dates from 1764-5, at the time of his childhood visit to London, and most are early works, quite short. Many are associated with his boyhood travels (his first trip to Italy in 1769-71, for instance) but his most prolific period as a symphonist was between 1771 and 1774 when, in Salzburg, he wrote no fewer than seventeen.
Cologne New Philharmonic & Volker Hartung - Mozart - Symphonies Nos. 38, 40 & 41 (2020) [Official Digital Download]

Cologne New Philharmonic & Volker Hartung - Mozart- Symphonies Nos. 38, 40 & 41 (2020) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 01:19:33 minutes | 869 MB
Classical | Label: JPK Musik, Official Digital Download

This album contains three of Mozart's greatest masterpieces, the late Symphonies No.38 (Prague Symphony), No.40 in G minor, and No.41 (Jupiter). The KV 550 Symphony is one of Mozart's best-known works.
Gordan Nikolić & Netherlands Chamber Orchestra - Mozart: Symphonies Nos. 41 & 39 (2021)

Gordan Nikolić & Netherlands Chamber Orchestra - Mozart: Symphonies Nos. 41 & 39 (2021)
WEB FLAC (tracks) - 316 Mb | MP3 CBR 320 kbps - 181 Mb | Digital booklet | 01:15:53
Classical | Label: TACET Musikproduktion

The Netherlands Chamber Orchestra, with Gordan Nikolic, puts down a spicy performance of two of Mozart's bubbliest symphonies: the "Haffner" and the "Linz". "Both symphonies swoop and swerve at sprightly tempos where needed, which is different from being just fast. They virtually tremble with life. The engineers have succeeded admirably with a transparent soundstage." (Fanfare)
Gordan Nikolić & Netherlands Chamber Orchestra - Mozart: Symphonies Nos. 41 & 39 (2021) [Official Digital Download 24/96]

Gordan Nikolić & Netherlands Chamber Orchestra - Mozart: Symphonies Nos. 41 & 39 (2021)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 75:53 minutes | 1,3 GB
Classical | Label: TACET Musikproduktion, Official Digital Download

The Netherlands Chamber Orchestra, with Gordan Nikolic, puts down a spicy performance of two of Mozart's bubbliest symphonies: the "Haffner" and the "Linz". "Both symphonies swoop and swerve at sprightly tempos where needed, which is different from being just fast. They virtually tremble with life. The engineers have succeeded admirably with a transparent soundstage." (Fanfare)
George Szell and Cleveland Orchestra - Grieg / Bizet / Mussorgsky (2001) SACD ISO + Hi-Res FLAC

George Szell & Cleveland Orchestra - Grieg / Bizet / Mussorgsky (2001)
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 76:02 minutes | Scans included | 2,14 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included (PDF) | 1,74 GB
Originally Released in 1958 / 1963 / 1966 | Sony Classical

Sony Masterworks’ new “Expanded Edition” offers well-known recordings newly remastered using DSD technology, along with “bonus” material extending the playing time of the original LP (not the previous CD edition, if any), all at a very attractive price. The question for most collectors is a simple one: does it sound better? The answer, without reservation, is “Yes”–at least for this present issue, which offers Szell’s magnificent Pictures at an Exhibition, already well known from its Essential Classics incarnation…although Russian music was not an area in which Szell made his reputation, both he and the Cleveland Orchestra are on top form throughout. Sonically the performances feature a more open top, enhanced clarity, and richer bass than any previous edition, making this a truly first class experience on all counts.
Il Pomo d'Oro, Maxim Emelyanychev & Ivan Podyomov - Mozart: Symphonies Nos. 29 & 40, Oboe Concerto (2023) [24/96]

Il Pomo d'Oro, Maxim Emelyanychev & Ivan Podyomov - Mozart: Symphonies Nos. 29 & 40, Oboe Concerto (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 82:04 minutes | 1,36 GB
Classical | Label: Aparté, Official Digital Download

Maxim Emelyanychev and Il Pomo d’Oro continue their uncommon Mozart symphony cycle. The idea is the following: put together great symphonies of the late Mozart and youth pieces. Maxim Emelyanychev, who has already gathered the first and the last symphonies – the beginning and the end –, has chosen to record the symphony no. 29 and the legendary no. 40 in the present volume.
Il Pomo d'Oro, Maxim Emelyanychev, Ivan Podyomov - Mozart: Symphonies Nos. 29 & 40, Oboe Concerto (2023)

Il Pomo d'Oro, Maxim Emelyanychev & Ivan Podyomov - Mozart: Symphonies Nos. 29 & 40, Oboe Concerto (2023)
WEB FLAC (tracks) - 374 Mb | MP3 CBR 320 kbps - 189 Mb | Digital booklet | 01:22:04
Classical | Label: Aparté

Maxim Emelyanychev and Il Pomo d’Oro continue their uncommon Mozart symphony cycle. The idea is the following: put together great symphonies of the late Mozart and youth pieces. Maxim Emelyanychev, who has already gathered the first and the last symphonies – the beginning and the end –, has chosen to record the symphony no. 29 and the legendary no. 40 in the present volume. The ensemble makes us follow Mozart, from Salzburg to Vienna, in the yearning for liberty his life was. Perfectly suited to this repertoire, Maxim Emelyanychev uses the exceptional and period-instrumented sonority of Il Pomo d’Oro to deliver a dramatic and powerful Symphony no. 40, while rendering all the lyricism and contrasts of the no. 29. The Oboe concerto, interpreted by the soloist Ivan Podyomov, first oboe at the Royal Concertbouw Orchestra, adds a concertante supplement to this programme.
Mitsuko Uchida, The Cleveland Orchestra - Mozart: Piano Concertos Nos. 17 & 25 (2016)

Mitsuko Uchida, The Cleveland Orchestra - Mozart: Piano Concertos Nos. 17 & 25 (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 67:23 | 264 MB
Genre: Classical | Label: Decca | Catalog: B002571602

For her fifth live recording of Wolfgang Amadeus Mozart's piano concertos with the Cleveland Orchestra, Mitsuko Uchida presents the Piano Concerto No. 17 in G major, K 453, and the Piano Concerto No. 25 in C major, K 503, a delightful pairing that reflects her previous albums in this critically acclaimed series on Decca.
Eugene Ormandy, The Philadelphia Orchestra - Prokofiev: Symphonies Nos. 1,4,5,6,7, The Love for Three Oranges, Lieutenant Kijé

Eugene Ormandy, The Philadelphia Orchestra - Prokofiev: Symphonies Nos. 1,4,5,6,7, The Love for Three Oranges, Lieutenant Kijé
FLAC (tracks), Lossless | 3:29:35 | 1,27 Gb
Genre: Classical

Eugene Ormandy Over a period of four decades, from the 1940s until the beginning of the '80s, Eugene Ormandy was a mainstay of the classical music world. As music director of the Philadelphia Orchestra for more than 40 years, beginning in 1938, he was one of the most popular conductors in America, and his recordings with that orchestra on the Columbia Masterworks label consistently outsold by a wide margin the recordings of the admittedly superior New York Philharmonic under Dimitri Mitropoulos.