Bob Kindred is a great tenor sax player who is consistently underrated and underexposed. Aside from some CDs released by a small audiophile label Mapleshade, it is not easy to find his leader albums in the market. Venus Records wanted to correct this situation and signed Kindred a few years ago and released this label debut album, Blue Moon.
This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!
Beside Marty Paich, none of Mel Tormé's collaborators exerted such a large influence on the singer's career as George Shearing, the pianist whose understated, expressive accompaniment contributed to Tormé's resurgence during the early '80s. Their six excellent albums together – two of which, An Evening With… and Top Drawer, earned Grammy awards – proved that classic vocal music had outlasted the long night that was the '70s, and emerged to become a timeless American genre. The pair's work for Concord was usually recorded live in a trio or quartet setting; leaving much space for Shearing solos, Tormé occasionally reprised his big standards ("A Nightingale Sang in Berkeley Square," "Lullaby of Birdland," "The Folks Who Live on the Hill"), but often searched for more obscure material he could make his own, and often succeeded. Tormé and Shearing were restless innovators, taking on a full album of World War II standards, medleys devoted to songs about New York and by Duke Ellington, and a stunningly broad range of material: "Oleo," "Lili Marlene," "How Do You Say Auf Wiedersehen?," and "Dat Dere."
Al Caiola’s mastery of the guitar was always abundantly clear, both in his recordings as a studio musician and in his stage performances, and it is just as self-evident in these two albums and in his relationship with the two solid jazz groups that accompany him on them. "High Strung" was recorded in 1959, and without climbing way out on a limb, Al and his supporting cast of guitars—George Barnes, Al Cassamenti, Don Arnone, John Pizzarelli, and Billy Bauer—set new ideas to a solid swinging beat in “electrifying” up-tempo evergreens and a couple of his own compositions, backed by an excellent rhythm section.
This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies. I'm fascinating.
10-CD box set that contains 250 original Rockabilly recordings. Featuring Jonny Cash, Carl Phillips, Johnny Horton, Marty Robbins, Tennessee Ernie Ford, Hank Thompson, Faron Young, Bill Haley & The Saddlemen and many others. All the tracks were recorded between 1947 and 1960 but with the vast majority coming from the 1950's.
A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker.