Scorpions are a German rock band formed in 1965 in Hanover by Rudolf Schenker. Since the band's inception, its musical style has ranged from hard rock to heavy metal. The lineup from 1978–92 was the most successful incarnation of the group, and included Klaus Meine (vocals), Rudolf Schenker (rhythm guitar), Matthias Jabs (lead guitar), Francis Buchholz (bass guitar), and Herman Rarebell (drums). The band's only constant member has been Schenker, although Meine has been the lead singer for all of the band's studio albums, and Jabs has been a consistent member since 1979…
During the mid-'70s, Germany's Kraftwerk established the sonic blueprint followed by an extraordinary number of artists in the decades to come. From the British new romantic movement to hip-hop to techno, the group's self-described "robot pop" – hypnotically minimal, obliquely rhythmic music performed solely via electronic means – resonates in virtually every new development to impact the contemporary pop scene of the late- 20th century, and as pioneers of the electronic music form, their enduring influence cannot be overstated…
Kraut-fusion band formed by Ingo Werner (ex-My Solid Ground) and Nemat Darman (famous Iranian percussionist, multi instrumentalist). Their album "collage" (1974) was recorded in Dieter Dierk's studio. Baba Yaga's music is a convincing medley of ethnic / eastern like improvisations and original spaced out experimentations (with discreet jazzy touches and electronic treatments)…
L’Univers De La Mer was entirely composed by Guiot using a Mellotron, a Minimoog, a clavinet, organ and guitar. Its twelve tracks “navigate from scenic meditation pieces (‘Wind Surf Ballad’), to medieval electronica (‘Une Ballade Pour Une Goélette’), spacey smooth jazz (‘Les Deux Poissons’), funked out fantasy folk (‘L’Univers De La Mer’), and even incredible Sega Mega-CD vibes (‘La Danse Des Méduses’) – altogether painting a fascinating world of eerie magic and subaquatic sensuality”.
This is one of the first Symphonic albums to come out of Germany. And it's nothing like TRIUMVIRAT or even NOVALIS for that matter.This is melancholic and plodding with plenty of synths and mellotron. There are basically two side long suites with the first side being divided into two parts…
The musically similar follow-up to the commercial breakthrough of Over-Nite Sensation, Apostrophe (') became Frank Zappa's second gold and only Top Ten album with the help of the "doggy wee-wee" jokes of "Don't Eat the Yellow Snow," Zappa's first chart single (a longer, edited version that used portions of other songs on the LP)…
If you asked a music-lover in Haydn or Mozart's time about the works of Bach, you would have been referring to CPE, and not his dad, the great JS, whose reputation was merely that of a great organist and sometime composer of "historical" music. Not only was CPE universally admired in his lifetime, he also wrote the definitive treatise on contemporary keyboard technique (it's still in use today), collected fine art, and left a superb body of music to future generations. The symphonies are really exciting pieces full of unpredictable turns of phrase and a genuinely passionate emotional expression. These excellent performances make the best possible case for them.
Johann Friedrich Fasch (1688-1758) was a forward-looking musician who, though a contemporary of Bach, anticipated Haydn and Mozart in the classical style of his compositions. In his younger years he held several positions before he became the music director for the chapel at the court in Zerbst, where he remained for 36 years. He also enjoyed a close connection with Dresden musicians, chiefly with the concertmaster of the Dresden court orchestra, Pisendel. These works are thought to have been some of Fasch's many compositions for the famous orchestra at Dresden.
Joe Dassin (commonly called Les Champs-Élysées after its most famous track) is the third studio album by French musician Joe Dassin. It was originally released in 1969 on the CBS Disques label…