Georges Lahy

Released 90 years after he was born and 30 years after his death, Inégrale / Le Temps Ne Fait Rien À L'Affaire is a comprehensive 19-disc collection that contains everything any hardened George Brassens fan could possibly want. Featuring a colossal 330 remastered tracks, the unique box set includes 14 original studio albums, a compilation of live performances, and two discs' worth of previously unpublished rarities and demos alongside posthumous material recorded with the help of Jean Bertola.

Original soundtrack to the 1983 film directed by Philippe de Broca. The soundtrack was written by Georges Delerue, who was one of de Broca's favorite composers. This edition of the soundtrack was remastered from the recently discovered master tapes and is released to coincide with the 20th anniversary of Delerue. In addition to the soundtrack, you can savor the exclusive first recording of the Suite Symphony Broca, which compresses 30 years of de Broca/Delerue collaborations into 15 minutes.

One of French pop's most poetic songwriters, Georges Brassens was also a highly acclaimed and much-beloved performer in his own right. Not only a brilliant manipulator of language and a feted poet in his own right, Brassens was also renowned for his subversive streak, satirizing religion, class, social conformity, and moral hypocrisy with a wicked glee. Yet beneath that surface was a compassionate concern for his fellow man, particularly the disadvantaged and desperate. His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré. Though he was a skilled songwriter, Brassens had little formal musical training, and he generally kept things uncomplicated – simple melodies and spare accompaniment from a bass and second guitar. Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era. His poetry and lyrics are still studied as part of France's standard educational curriculum.

Two original soundtrack recordings on a single CD. The first is the exciting original score for the 1985 film SALVADOR directed by Oliver Stone and starring James Woods featuring the original film score composed by Georges Delerue and performed by the Vancover Symphony Orchestra and Chorus. The Second film score is for the 1986 academy-award winning film PLATOON directed by Oliver Stone and starring Charlie Sheen, Willem Dafoe and Tom Berenger. The CD features the mostly un-used score by composer Georges Delerue, Delerue's recoding of Samuel Barber's Adagio for Strings and the film's closing narration by Charle Sheen.

One of French pop's most poetic songwriters, Georges Brassens was also a highly acclaimed and much-beloved performer in his own right. Not only a brilliant manipulator of language and a feted poet in his own right, Brassens was also renowned for his subversive streak, satirizing religion, class, social conformity, and moral hypocrisy with a wicked glee. Yet beneath that surface was a compassionate concern for his fellow man, particularly the disadvantaged and desperate. His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré. Though he was a skilled songwriter, Brassens had little formal musical training, and he generally kept things uncomplicated – simple melodies and spare accompaniment from a bass and second guitar. Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era.

Music Box Records is pleased to present on the same CD two original motion picture soundtracks composed and conducted by Georges Delerue: The Conformist (1970) directed by Bernardo Bertolucci (1900, La Luna, Last Tango in Paris) and La Petite Fille en velours bleu (Little Girl in Blue Velvet) (1978) directed by Alan Bridges (The Hireling, The Shooting Party).

Agnes of God is a 1985 American film starring Jane Fonda, Anne Bancroft and Meg Tilly, about a novice nun who gives birth and insists that the dead child was the result of a virgin conception. A psychiatrist (Fonda) and the mother superior (Bancroft) of the convent clash during the resulting investigation. It was adapted by John Pielmeier from his own play of the same name, and directed by Norman Jewison. The film was nominated for Academy Awards for Best Actress in a Leading Role (Bancroft), Best Actress in a Supporting Role (Tilly) and Best Music, Original Score.

Georges Delerue (12 March 1925 – 20 March 1992) was a French composer who composed over 350 scores for cinema and television. Delerue won numerous important film music awards, including an Academy Award for A Little Romance (1980), three César Awards (1979, 1980, 1981), two ASCAP Awards (1988, 1990), and one Gemini Award for Sword of Gideon (1987). He was also nominated for four additional Academy Awards for Anne of the Thousand Days (1969), The Day of the Dolphin (1973), Julia (1977), and Agnes of God (1985), four additional César Awards, three Golden Globe Awards, and one Genie Award for Black Robe (1991). The French newspaper Le Figaro named him "the Mozart of cinema." Delerue was the first composer to win three consecutive César Awards for Get Out Your Handkerchiefs (1979), Love on the Run (1980), and The Last Metro (1981). Georges Delerue was named Commander of Arts and Letters, one of France's highest honours.

Jules and Jim (French: Jules et Jim) is a 1962 French New Wave romantic drama film, directed, produced and written by François Truffaut. Set around the time of World War I, it describes a tragic love triangle involving French Bohemian Jim (Henri Serre), his shy Austrian friend Jules (Oskar Werner), and Jules's girlfriend and later wife Catherine (Jeanne Moreau). The film won the 1962 Grand Prix of French film prizes, the Étoile de Cristal, and Jeanne Moreau won that year's prize for best actress. The film ranked 46 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010. The soundtrack by Georges Delerue was named as one of the "10 best soundtracks" by Time magazine in its "All Time 100 Movies" list.