Gerald Finzi

A cluster of choral miniatures culminating in one of Finzi’s most intense, visionary masterpieces: this is some of the most exquisite English choral writing of the last century.

The Finzi Clarinet Concerto has been particularly lucky on CD, with a whole series of fine versions issued, including those above. Yet Emma Johnson, spontaneous in her expressiveness, brings an extra freedom and often an extra warmth to make this in many ways the most winning of all. Finzi's sinuous melodies for the solo instrument are made to sound as though the soloist is improvising them, and with extreme daring she uses the widest possible dynamic range down to a whispered pianissimo that might be inaudible in a concert-hall.[[/quote]

The Finzi Clarinet Concerto has been particularly lucky on CD, with a whole series of fine versions issued, including those above. Yet Emma Johnson, spontaneous in her expressiveness, brings an extra freedom and often an extra warmth to make this in many ways the most winning of all. Finzi's sinuous melodies for the solo instrument are made to sound as though the soloist is improvising them, and with extreme daring she uses the widest possible dynamic range down to a whispered pianissimo that might be inaudible in a concert-hall.[[/quote]

Chandos Records released of the Royal Liverpool Philharmonic Orchestra conducted by Vernon Handley and featuring Raphael Wallfisch (cello) and George Caird (oboe) performing the program of Gerald Finzi's Cello Concerto, Op. 40 and Kenneth Leighton's Suite 'Veris Gratia', Op. 9 in a digital recording.

If you know the great orchestral works of English modernist composer Gerald Finzi – his cello and clarinet concertos, his Eclogue, and Grand Fantasia & Toccata for piano and orchestra – you don't know the half of Finzi. And even if you know his great setting of Wordsworth's "Intimations of Immortality" for tenor, chorus, and orchestra, you still don't know the best of Finzi. For the best of Finzi, try this two-disc set of his five-song cycle to poems by Thomas Hardy. Like Schubert with Müller, Finzi had a particular affinity for Hardy and his special brand of pantheistic pastoral pessimism and his settings have a depth of understanding and an authenticity of utterance that make them especially effective and affecting.

If you know the great orchestral works of English modernist composer Gerald Finzi – his cello and clarinet concertos, his Eclogue, and Grand Fantasia & Toccata for piano and orchestra – you don't know the half of Finzi. And even if you know his great setting of Wordsworth's "Intimations of Immortality" for tenor, chorus, and orchestra, you still don't know the best of Finzi. For the best of Finzi, try this two-disc set of his five-song cycle to poems by Thomas Hardy. Like Schubert with Müller, Finzi had a particular affinity for Hardy and his special brand of pantheistic pastoral pessimism and his settings have a depth of understanding and an authenticity of utterance that make them especially effective and affecting.